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    <title>Lists on Roxana-Mălina Chirilă</title>
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    <description>Recent content in Lists on Roxana-Mălina Chirilă</description>
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    <lastBuildDate>Wed, 08 May 2013 09:36:28 +0000</lastBuildDate>
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      <title>1001 Books You Must Read Before You Die</title>
      <link>https://roxanamchirila.com/2013/05/08/1001-books-you-must-read-before-you-die/</link>
      <pubDate>Wed, 08 May 2013 09:36:28 +0000</pubDate>
      <guid>https://roxanamchirila.com/2013/05/08/1001-books-you-must-read-before-you-die/</guid>
      <description>&lt;p&gt;Ok, ok, technically they&amp;rsquo;re the books in „1001 Books You Must Read Before You Die”, several editions, which brings us to a total list of about 1200 books.&lt;/p&gt;
&lt;p&gt;Books I&amp;rsquo;ve read are in bold, books I started and never finished are in italics. There&amp;rsquo;s 3 or 4 on the list that I&amp;rsquo;ve read and barely recall&amp;hellip; Yeah&amp;hellip; For some it&amp;rsquo;s been awhile.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m starting to think of the 1001 Books list as a sort of internet meme, no?&lt;/p&gt;
&lt;p&gt;Pre-1700&lt;/p&gt;
&lt;p&gt;Aesop&amp;rsquo;s Fables &amp;ndash; Aesop (c.4th BC)&lt;br&gt;
Metamorphoses &amp;ndash; Ovid (c.2-8 AD)&lt;br&gt;
Chaireas And Kallirhoe &amp;ndash; Chariton (c.200)&lt;br&gt;
Aithiopika &amp;ndash; Heliodorus (c.250)&lt;br&gt;
The Golden Ass &amp;ndash; Apuleius (c.260)&lt;br&gt;
&lt;strong&gt;The Thousand And One Nights &amp;ndash; Anonymous (c.850)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The Tale Of The Bamboo Cutter &amp;ndash; Anonymous (c.900)&lt;/strong&gt;&lt;br&gt;
&lt;em&gt;The Tale Of Genji &amp;ndash; Murasaki Shikibu (c.1000)&lt;/em&gt;&lt;br&gt;
Water Margin &amp;ndash; Shi Naian (c.1300)&lt;br&gt;
Romance Of The Three Kingdoms &amp;ndash; Luo Guanzhong (c.1300)&lt;br&gt;
Tirant Lo Blanch &amp;ndash; Marti Joan De Galba (1490)&lt;br&gt;
La Celestina &amp;ndash; Fernando De Rojas (1499)&lt;br&gt;
Amadis Of Greece &amp;ndash; Garci Rodriguez De Montalvo (1508)&lt;br&gt;
The Life Of Lazarillo De Tormes And His Fortunes And Adversities &amp;ndash; Anonymous (1554)&lt;br&gt;
Gargantua And Pantagruel &amp;ndash; Francoise Rabelais (1532-64)&lt;br&gt;
The Lusiads &amp;ndash; Luis Camoes (1572)&lt;br&gt;
Euphues: The Anatomy Of Wit &amp;ndash; John Lyly (1578)&lt;br&gt;
&lt;strong&gt;Journey To The West &amp;ndash; Cheng&amp;rsquo;en Wu (1592)&lt;/strong&gt;&lt;br&gt;
The Unfortunate Traveller &amp;ndash; Thomas Nashe (1594)&lt;br&gt;
Thomas Of Reading &amp;ndash; Thomas Deloney (1599)&lt;br&gt;
Don Quixote &amp;ndash; Miguel De Cervantes Saavedra (1605-15)&lt;br&gt;
The Travels Of Persiles And Sigismunda &amp;ndash; Miguel De Cervantes (1617)&lt;br&gt;
The Truthful History Of The Conquest Of New Spain &amp;ndash; Bernal Diaz Del Castillo (1632)&lt;br&gt;
The Adventurous Simplicissimus &amp;ndash; Hans Jakob Christoffel Von Grimmelshausen (1668)&lt;br&gt;
The Pilgrim&amp;rsquo;s Progress &amp;ndash; John Bunyan (1678-84)&lt;br&gt;
The Princess Of Cleves &amp;ndash; Comtesse De La Fayett (1678)&lt;br&gt;
Oroonoko &amp;ndash; Aphra Behn (1688)&lt;/p&gt;
&lt;p&gt;1700s&lt;/p&gt;
&lt;p&gt;A Tale Of A Tub &amp;ndash; Jonathan Swift (1704)&lt;br&gt;
&lt;strong&gt;Robinson Crusoe &amp;ndash; Daniel Defoe (1719)&lt;/strong&gt;&lt;br&gt;
Love In Excess &amp;ndash; Eliza Haywood (1719)&lt;br&gt;
Moll Flanders &amp;ndash; Daniel Defoe (1722)&lt;br&gt;
Roxana &amp;ndash; Daniel Defoe (1724)&lt;br&gt;
&lt;strong&gt;Gulliver&amp;rsquo;s Travels &amp;ndash; Jonathan Swift (1726)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;A Modest Proposal &amp;ndash; Jonathan Swift (1729)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Joseph Andrews &amp;ndash; Henry Fielding (1742)&lt;/strong&gt;&lt;br&gt;
Memoirs Of Martinus Scriblerus &amp;ndash; Various (c.1740)&lt;br&gt;
Pamela &amp;ndash; Samuel Richardson (1749)&lt;br&gt;
Clarissa &amp;ndash; Samuel Richardson (1749)&lt;br&gt;
Roderick Random &amp;ndash; Tobias George Smollett (1749)&lt;br&gt;
Tom Jones &amp;ndash; Henry Fielding (1749)&lt;br&gt;
Fanny Hill &amp;ndash; John Cleland (1749)&lt;br&gt;
Peregrine Pickle &amp;ndash; Tobias George Smollett (1751)&lt;br&gt;
Amelia &amp;ndash; Henry Fielding (1751)&lt;br&gt;
The Female Quixote &amp;ndash; Charlotte Lennox (1752)&lt;br&gt;
&lt;strong&gt;Candide &amp;ndash; Voltaire (1759)&lt;/strong&gt;&lt;br&gt;
Rasselas &amp;ndash; Samuel Johnson (1759)&lt;br&gt;
Julie Or The New Eloise &amp;ndash; Jean-Jacques Rousseau (1760)&lt;br&gt;
Rameau&amp;rsquo;s Nephew &amp;ndash; Denis Diderot (1761-84)&lt;br&gt;
Emile Or On Education &amp;ndash; Jean-Jacques Rousseau (1762)&lt;br&gt;
The Castle Of Otranto &amp;ndash; Horace Walpole (1765)&lt;br&gt;
The Vicar Of Wakefield &amp;ndash; Oliver Goldsmith (1766)&lt;br&gt;
&lt;em&gt;Tristram Shandy &amp;ndash; Laurence Stern (1759-67)&lt;/em&gt;&lt;br&gt;
A Sentimental Journey &amp;ndash; Laurence Stern (1768)&lt;br&gt;
The Man Of Feeling &amp;ndash; Henry Mackenzie (1771)&lt;br&gt;
Humphrey Clinker &amp;ndash; Tobias George Smollett (1771)&lt;br&gt;
&lt;strong&gt;The Sorrows Of Young Werther &amp;ndash; Johann Wolfgang Von Goethe (1774)&lt;/strong&gt;&lt;br&gt;
Evelina &amp;ndash; Fanny Burney (1778)&lt;br&gt;
Reveries Of A Solitary Walker &amp;ndash; Jean-Jacques Rousseau (1782)&lt;br&gt;
Dangerous Liaisons &amp;ndash; Pierre Choderlos De Laclos (1782)&lt;br&gt;
Anton Reiser &amp;ndash; Karl Philipp Moritz (1785)&lt;br&gt;
Confessions &amp;ndash; Jean-Jacques Rousseau (1782)&lt;br&gt;
Cecilia &amp;ndash; Fanny Burney (1782)&lt;br&gt;
The 120 Days Of Sodom &amp;ndash; Marquis de Sade (1785)&lt;br&gt;
Vathek &amp;ndash; William Beckford (1786)&lt;br&gt;
Dream Of The Red Chamber (The Story Of The Stone) &amp;ndash; Cao Xueqin (1791)&lt;br&gt;
Justine &amp;ndash; Marquis De Sade (1791)&lt;br&gt;
The Adventures Of Caleb Williams &amp;ndash; William Godwin (1794)&lt;br&gt;
The Interesting Narrative &amp;ndash; Olaudah Equiano (1794)&lt;br&gt;
The Mysteries Of Udolpho &amp;ndash; Ann Radcliffe (1794)&lt;br&gt;
Wilhelm Meister&amp;rsquo;s Apprenticeship &amp;ndash; Johann Wolfgang Von Goethe (1795-6)&lt;br&gt;
The Monk &amp;ndash; M G Lewis (1796)&lt;br&gt;
Camilla &amp;ndash; Fanny Burney (1796)&lt;br&gt;
Jacques The Fatalist &amp;ndash; Denis Diderot (1796)&lt;br&gt;
The Nun &amp;ndash; Denis Diderot (1796)&lt;br&gt;
Hyperion &amp;ndash; Friedrich Holderlin (1797-9)&lt;/p&gt;
&lt;p&gt;1800s&lt;/p&gt;
&lt;p&gt;Castle Rackrent &amp;ndash; Maria Edgeworth (1800)&lt;br&gt;
Henry Von Ofterdingen (Unfinished) &amp;ndash; Novalis (1802)&lt;br&gt;
Elective Affinities &amp;ndash; Johann Wolfgang Von Goethe (1809)&lt;br&gt;
Michael Kohlhaas &amp;ndash; Heinrich Von Kleist (1810)&lt;br&gt;
Sense And Sensibility &amp;ndash; Jane Austen (1811)&lt;br&gt;
The Absentee &amp;ndash; Maria Edgeworth (1812)&lt;br&gt;
&lt;strong&gt;Pride And Prejudice &amp;ndash; Jane Austen (1813)&lt;/strong&gt;&lt;br&gt;
Mansfield Park &amp;ndash; Jane Austen (1814)&lt;br&gt;
Emma &amp;ndash; Jane Austen (1816)&lt;br&gt;
&lt;strong&gt;Rob Roy &amp;ndash; Sir Walter Scott (1817)&lt;/strong&gt;&lt;br&gt;
Ormond &amp;ndash; Maria Edgeworth (1817)&lt;br&gt;
Persuasion &amp;ndash; Jane Austen (1818)&lt;br&gt;
Northanger Abbey &amp;ndash; Jane Austen (1818)&lt;br&gt;
&lt;strong&gt;Frankenstein &amp;ndash; Mary Wollstonecraft Shelley (1818)&lt;/strong&gt;&lt;br&gt;
The Life And Opinions Of The Tomcat Murr &amp;ndash; E T A Hoffmann (1820)&lt;br&gt;
&lt;strong&gt;Ivanhoe &amp;ndash; Sir Walter Scott (1820)&lt;/strong&gt;&lt;br&gt;
The Monastry &amp;ndash; Sir Walter Scott (1820)&lt;br&gt;
Melmoth The Wanderer &amp;ndash; Charles Robert Maturin (1820)&lt;br&gt;
The Albigenses &amp;ndash; Charles Robert Maturin (1824)&lt;br&gt;
The Private Memoirs And Confessions Of A Justified Sinner &amp;ndash; James Hogg (1824)&lt;br&gt;
&lt;strong&gt;Last Of The Mohicans &amp;ndash; James Fenimore Cooper (1826)&lt;/strong&gt;&lt;br&gt;
Life Of A Good-For-Nothing &amp;ndash; Joseph Freiherr Von Eichendorff (1826)&lt;br&gt;
The Bethrothed &amp;ndash; Alessandro Manzoni (1827)&lt;br&gt;
The Red And The Black &amp;ndash; Stendhal (1831)&lt;br&gt;
&lt;strong&gt;The Hunchback Of Notre Dame &amp;ndash; Victor Hugo (1831)&lt;/strong&gt;&lt;br&gt;
Eugene Onegin &amp;ndash; Alexander Pushkin (1833)&lt;br&gt;
Eugenie Grandet &amp;ndash; Honore De Balzac (1834)&lt;br&gt;
Le Pere Goriot &amp;ndash; Honore De Balzac (1834-5)&lt;br&gt;
The Nose &amp;ndash; Nikolay Gogol (1836)&lt;br&gt;
Oliver Twist &amp;ndash; Charles Dickens (1838)&lt;br&gt;
The Lion Of Flanders &amp;ndash; Hendrik Conscience (1838)&lt;br&gt;
The Life And Adventures Of Nicholas Nickleby &amp;ndash; Charles Dickens (1839)&lt;br&gt;
&lt;strong&gt;The Fall Of The House of Usher &amp;ndash; Edgar Allan Poe (1839)&lt;/strong&gt;&lt;br&gt;
Camera Obscura &amp;ndash; Hildebrand (Nicolaas Beets) (1839)&lt;br&gt;
The Charterhouse Of Parma &amp;ndash; Stendhal (1839)&lt;br&gt;
A Hero Of Our Time &amp;ndash; Mikhail Lermontov (1840)&lt;br&gt;
Dead Souls &amp;ndash; Nikolay Gogol (1842)&lt;br&gt;
&lt;strong&gt;A Christmas Carol &amp;ndash; Charles Dickens (1843)&lt;/strong&gt;&lt;br&gt;
Lost Illusions &amp;ndash; Honore De Balzac (1843)&lt;br&gt;
The Pit And The Pendulum &amp;ndash; Edgar Allan Poe (1843)&lt;br&gt;
Martin Chuzzlewit &amp;ndash; Charles Dickens (1844)&lt;br&gt;
&lt;strong&gt;The Purloined Letter &amp;ndash; Edgar Allan Poe (1844)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The Three Musketeers &amp;ndash; Alexandre Dumas (1844)&lt;/strong&gt;&lt;br&gt;
Facundo &amp;ndash; Domingo Faustino Sarmiento (1845)&lt;br&gt;
Le Reine Margot &amp;ndash; Alexandre Dumas (1845)&lt;br&gt;
&lt;strong&gt;The Count Of Monte Cristo &amp;ndash; Alexandre Dumas (1845-6)&lt;/strong&gt;&lt;br&gt;
The Devil&amp;rsquo;s Pool &amp;ndash; George Sand (1846)&lt;br&gt;
&lt;strong&gt;Vanity Fair &amp;ndash; William Makepeace Thackeray (1847)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Jane Eyre &amp;ndash; Charlotte Bronte (1847)&lt;/strong&gt;&lt;br&gt;
Agnes Grey &amp;ndash; Anne Bronte (1847)&lt;br&gt;
&lt;strong&gt;Wuthering Heights &amp;ndash; Emily Bronte (1847)&lt;/strong&gt;&lt;br&gt;
The Tenant Of Wildfell Hall &amp;ndash; Anne Bronte (1848)&lt;br&gt;
Mary Barton &amp;ndash; Elizabeth Gaskell (1848)&lt;br&gt;
Shirley &amp;ndash; Charlotte Bronte (1849)&lt;br&gt;
David Copperfield &amp;ndash; Charles Dickens (1850)&lt;br&gt;
&lt;strong&gt;The Scarlet Letter &amp;ndash; Nathaniel Hawthorne (1850)&lt;/strong&gt;&lt;br&gt;
Moby Dick &amp;ndash; Herman Melville (1851)&lt;br&gt;
The House Of The Seven Gables &amp;ndash; Nathaniel Hawthorne (1851)&lt;br&gt;
The Blithedale Romance &amp;ndash; Nathaniel Hawthorne (1852)&lt;br&gt;
&lt;strong&gt;Uncle Tom&amp;rsquo;s Cabin &amp;ndash; Harriet Beecher Stowe (1852)&lt;/strong&gt;&lt;br&gt;
Cranford &amp;ndash; Elizabeth Gaskell (1853)&lt;br&gt;
Villette &amp;ndash; Charlotte Bronte (1853)&lt;br&gt;
&lt;strong&gt;Bleak House &amp;ndash; Charles Dickens (1853)&lt;/strong&gt;&lt;br&gt;
Walden &amp;ndash; David Henry Thoreau (1854)&lt;br&gt;
Green Henry &amp;ndash; Gottfried Keller (1854)&lt;br&gt;
Hard Times &amp;ndash; Charles Dickens (1854)&lt;br&gt;
North And South &amp;ndash; Elizabeth Gaskell (1855)&lt;br&gt;
Indian Summer &amp;ndash; Adalbert Stifter (1857)&lt;br&gt;
Madame Bovary &amp;ndash; Gustave Flaubert (1857)&lt;br&gt;
Adam Bede &amp;ndash; George Eliot (1859)&lt;br&gt;
Oblomovka &amp;ndash; Ivan Goncharov (1859)&lt;br&gt;
&lt;strong&gt;A Tale Of Two Cities &amp;ndash; Charles Dickens (1859)&lt;/strong&gt;&lt;br&gt;
Max Havelaar &amp;ndash; Multatuli (1860)&lt;br&gt;
The Marble Faun &amp;ndash; Nathaniel Hawthorne (1860)&lt;br&gt;
The Woman In White &amp;ndash; Wilkie Collins (1860)&lt;br&gt;
The Mill On The Floss &amp;ndash; George Eliot (1860)&lt;br&gt;
Castle Richmond &amp;ndash; Anthony Trollope (1860)&lt;br&gt;
On The Eve &amp;ndash; Ivan Turgenev (1860)&lt;br&gt;
&lt;strong&gt;Great Expectations &amp;ndash; Charles Dickens (1861)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Silas Marner &amp;ndash; George Eliot (1861)&lt;/strong&gt;&lt;br&gt;
Fathers And Sons &amp;ndash; Ivan Turgenev (1862)&lt;br&gt;
Les Miserables &amp;ndash; Victor Hugo (1862)&lt;br&gt;
The Water Babies &amp;ndash; Charles Kingsley (1863)&lt;br&gt;
Notes From The Underground &amp;ndash; Fyodor Dostoevsky (1864)&lt;br&gt;
Uncle Silas &amp;ndash; Sheridan Le Fanu (1864)&lt;br&gt;
Our Mutual Friend &amp;ndash; Charles Dickens (1865)&lt;br&gt;
&lt;strong&gt;Alice&amp;rsquo;s Adventures In Wonderland &amp;ndash; Lewis Carroll (1865)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Crime And Punishment &amp;ndash; Fyodor Dostoevsky (1866)&lt;/strong&gt;&lt;br&gt;
Journey To The Centre Of The Earth &amp;ndash; Jules Verne (1866)&lt;br&gt;
The Last Chronicle Barset &amp;ndash; Anthony Trollope (1867)&lt;br&gt;
Therese Raquin &amp;ndash; Emile Zola (1867)&lt;br&gt;
Little Women &amp;ndash; Louisa May Alcott (1868)&lt;br&gt;
The Moonstone &amp;ndash; Wilkie Collins (1868)&lt;br&gt;
The Idiot &amp;ndash; Fyodor Dostoevsky (1868-9)&lt;br&gt;
Maldoror &amp;ndash; Comte De Lautreaumont (1868-9)&lt;br&gt;
Phineas Finn &amp;ndash; Anthony Trollope (1869)&lt;br&gt;
Sentimental Education &amp;ndash; Gustave Flaubert (1869)&lt;br&gt;
&lt;strong&gt;War And Peace &amp;ndash; Leo Tolstoy (1869)&lt;/strong&gt;&lt;br&gt;
He Knew He Was Right &amp;ndash; Anthony Trollope (1869)&lt;br&gt;
King Lear Of The Steppes &amp;ndash; Ivan Turgenev (1870)&lt;br&gt;
&lt;strong&gt;Through The Looking Glass &amp;ndash; Lewis Carroll (1871)&lt;/strong&gt;&lt;br&gt;
Martin Fierro &amp;ndash; Jose Hernandez (1872)&lt;br&gt;
&lt;strong&gt;Middlemarch &amp;ndash; George Eliot (1872)&lt;/strong&gt;&lt;br&gt;
Spring Torrents &amp;ndash; Ivan Turgenev (1872)&lt;br&gt;
&lt;strong&gt;Erewhon &amp;ndash; Samuel Butler (1872)&lt;/strong&gt;&lt;br&gt;
The Devils &amp;ndash; Fyodor Dostoevsky (1872)&lt;br&gt;
In A Glass Darkly &amp;ndash; Sheridan Le Fanu (1872)&lt;br&gt;
Around The World In Eighty Days &amp;ndash; Jules Verne (1873)&lt;br&gt;
The Enchanted Wanderer &amp;ndash; Nicolai Leskov (1873)&lt;br&gt;
Far From The Madding Crowd &amp;ndash; Thomas Hardy (1874)&lt;br&gt;
Pepita Jimenez &amp;ndash; Juan Valera Y Alcala-Galiano (1874)&lt;br&gt;
The Sin Of Father Amado &amp;ndash; Jose Maria De Eca De Queiroz (1876)&lt;br&gt;
The Temptation Of Saint Anthony &amp;ndash; Gustave Flaubert (1874)&lt;br&gt;
The Hand Of Ethelberga &amp;ndash; Thomas Hardy (1876)&lt;br&gt;
Daniel Deronda &amp;ndash; George Eliot (1876)&lt;br&gt;
Virgin Soil &amp;ndash; Ivan Turgenev (1877)&lt;br&gt;
Drunkard &amp;ndash; Emile Zola (1877)&lt;br&gt;
&lt;strong&gt;Anna Karenina &amp;ndash; Leo Tolstoy (1877)&lt;/strong&gt;&lt;br&gt;
Return Of The Native &amp;ndash; Thomas Hardy (1878)&lt;br&gt;
The Red Room &amp;ndash; August Strindberg (1879)&lt;br&gt;
The Brothers Karamzov &amp;ndash; Fyodor Dostoevsky (1880)&lt;br&gt;
Nan &amp;ndash; Emile Zola (1880)&lt;br&gt;
Ben-Hur &amp;ndash; Lew Wallace (1880)&lt;br&gt;
Bouvard And Pecuchet &amp;ndash; Gustave Flaubert (1881)&lt;br&gt;
&lt;strong&gt;The Portrait Of A Lady &amp;ndash; Henry James (1881)&lt;/strong&gt;&lt;br&gt;
The House By The Medlar Tree &amp;ndash; Giovanni Verga (1881)&lt;br&gt;
The Posthumous Memoirs Of Bras Cuba &amp;ndash; Joaquim Maria Machado De Assis (1881)&lt;br&gt;
Treasure Island &amp;ndash; Robert Louis Stevenson (1883)&lt;br&gt;
A Woman&amp;rsquo;s Life &amp;ndash; Guy De Maupassant (1883)&lt;br&gt;
The Regent&amp;rsquo;s Wife &amp;ndash; Leopoldo Alas (1884)&lt;br&gt;
The Death Of Ivan Ilyich &amp;ndash; Leo Tolstoy (1884)&lt;br&gt;
Against The Grain &amp;ndash; Joris-Karl Huysmans (1894)&lt;br&gt;
Marius The Epicurean &amp;ndash; Walter Pater (1885)&lt;br&gt;
Bel-Ami &amp;ndash; Guy De Maupassant (1885)&lt;br&gt;
&lt;strong&gt;The Adventures Of Huckleberry Finn &amp;ndash; Mark Twain (1885)&lt;/strong&gt;&lt;br&gt;
The Quest &amp;ndash; Frederik van Eeden (1885)&lt;br&gt;
Germinal &amp;ndash; Emile Zola (1885)&lt;br&gt;
King Solomon&amp;rsquo;s Mines &amp;ndash; H Rider Haggard (1885)&lt;br&gt;
Kidnapped &amp;ndash; Robert Louis Stevenson (1886)&lt;br&gt;
&lt;strong&gt;The Mayor Of Casterbridge &amp;ndash; Thomas Hardy (1886)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The Strange Case Of Dr Jekyll And Mr Hyde &amp;ndash; Robert Louis Stevenson (1886)&lt;/strong&gt;&lt;br&gt;
The Manors Of Ulloa &amp;ndash; Emilia Pardo Bazan (1886)&lt;br&gt;
She &amp;ndash; H Rider Haggard (1887)&lt;br&gt;
The Woodlanders &amp;ndash; Thomas Hardy (1887)&lt;br&gt;
The People Of Hemso &amp;ndash; August Strindberg (1887)&lt;br&gt;
Under The Yoke &amp;ndash; Ivan Vazov (1888)&lt;br&gt;
Fortunata And Jacinta &amp;ndash; Benito Perez Galdes (1887)&lt;br&gt;
Pierre And Jean &amp;ndash; Guy De Maupassant (1888)&lt;br&gt;
The Master Of Ballantrae &amp;ndash; Robert Louis Stevenson (1889)&lt;br&gt;
Eline Vere &amp;ndash; Louis Couperus (1889)&lt;br&gt;
Hunger &amp;ndash; Knut Hamsun (1890)&lt;br&gt;
By The Open Sea &amp;ndash; August Strindberg (1890)&lt;br&gt;
La Bete Humaine &amp;ndash; Emile Zola (1890)&lt;br&gt;
Thais &amp;ndash; Anatole France (1890)&lt;br&gt;
The Kreutzer Sonata &amp;ndash; Leo Tolstoy (1890)&lt;br&gt;
&lt;strong&gt;The Picture Of Dorian Gray &amp;ndash; Oscar Wilde (1891)&lt;/strong&gt;&lt;br&gt;
Down There &amp;ndash; Joris-Karl Huysmans (1891)&lt;br&gt;
&lt;strong&gt;Tess Of The D&amp;rsquo;Urbervilles &amp;ndash; Thomas Hardy (1891)&lt;/strong&gt;&lt;br&gt;
Gosta Berling&amp;rsquo;s Saga &amp;ndash; Selma Lagerlof (1891)&lt;br&gt;
New Grub Street &amp;ndash; George Gissing (1891)&lt;br&gt;
News From Nowhere &amp;ndash; William Morris (1891)&lt;br&gt;
&lt;strong&gt;The Adventures Of Sherlock Holmes &amp;ndash; Sir Arthur Conan Doyle (1892)&lt;/strong&gt;&lt;br&gt;
Diary Of A Nobody &amp;ndash; George &amp;amp; Weedon Grossmith (1892)&lt;br&gt;
Born In Exile &amp;ndash; George Gissing (1892)&lt;br&gt;
The Yellow Wallpaper &amp;ndash; Charlotte Perkins Gilman (1892)&lt;br&gt;
The Viceroys &amp;ndash; Federico De Roberto (1894)&lt;br&gt;
The Real Charlotte &amp;ndash; Somerville &amp;amp; Ross (1894)&lt;br&gt;
&lt;strong&gt;Jude the Obscure &amp;ndash; Thomas Hardy (1895)&lt;/strong&gt;&lt;br&gt;
Effi Briest &amp;ndash; Theodor Fontane (1895)&lt;br&gt;
The Time Machine &amp;ndash; H G Wells (1895)&lt;br&gt;
The Island Of Dr Moreau &amp;ndash; H G Wells (1896)&lt;br&gt;
&lt;strong&gt;Quo Vadis &amp;ndash; Henryk Sienkiewicz (1896)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Dracula &amp;ndash; Bram Stoker (1897)&lt;/strong&gt;&lt;br&gt;
Fruits Of The Earth &amp;ndash; Andre Gide (1897)&lt;br&gt;
What Maisie Knew &amp;ndash; Henry James (1897)&lt;br&gt;
Compassion &amp;ndash; Benito Perez Galdos (1897)&lt;br&gt;
Pharaoh &amp;ndash; Boleslaw Prus (1897)&lt;br&gt;
&lt;strong&gt;The Invisible Man &amp;ndash; H G Wells (1897)&lt;/strong&gt;&lt;br&gt;
The War Of The Worlds &amp;ndash; H G Wells (1898)&lt;br&gt;
The Child Of Pleasure &amp;ndash; Gabriele D&amp;rsquo;Annunzio (1898)&lt;br&gt;
As A Man Grows Older &amp;ndash; Italo Svevo (1898)&lt;br&gt;
The Turn Of The Screw &amp;ndash; Henry James (1898)&lt;br&gt;
&lt;strong&gt;The Awakening &amp;ndash; Kate Chopin (1899)&lt;/strong&gt;&lt;br&gt;
The Stechlin &amp;ndash; Theodor Fontane (1899)&lt;br&gt;
Some Experiences Of An Irish R M &amp;ndash; Somerville &amp;amp; Ross (1899)&lt;br&gt;
Eclipse Of The Crescent Moon &amp;ndash; Geza Gardonyi (1899)&lt;br&gt;
Dom Casmurro &amp;ndash; Joaquim Maria Machado De Assis (1899)&lt;/p&gt;
&lt;p&gt;1900s&lt;/p&gt;
&lt;p&gt;Lord Jim &amp;ndash; Joseph Conrad (1900)&lt;br&gt;
Sister Carrie &amp;ndash; Theodore Dreiser (1900)&lt;br&gt;
The Tiger Of Mompracem &amp;ndash; Emilio Salgari (1900)&lt;br&gt;
None But The Brave &amp;ndash; Arthur Schnitzler (1901)&lt;br&gt;
&lt;strong&gt;Kim &amp;ndash; Rudyard Kipling (1901)&lt;/strong&gt;&lt;br&gt;
Buddenbrooks &amp;ndash; Thomas Mann (1901)&lt;br&gt;
&lt;strong&gt;The Hound Of The Baskervilles &amp;ndash; Sir Arthur Conan Doyle (1902)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Heart Of Darkness &amp;ndash; Joseph Conrad (1902)&lt;/strong&gt;&lt;br&gt;
The Wings Of The Dove &amp;ndash; Henry James (1902)&lt;br&gt;
The Immoralist &amp;ndash; Andre Gide (1902)&lt;br&gt;
The Riddle Of The Sands &amp;ndash; Erskine Childers (1903)&lt;br&gt;
Memoirs Of My Nervous Illness &amp;ndash; Daniel Paul Schreber (1903)&lt;br&gt;
The Ambassadors &amp;ndash; Henry James (1903)&lt;br&gt;
Call Of The Wild &amp;ndash; Jack London (1903)&lt;br&gt;
The Way Of All Flesh &amp;ndash; Samuel Butler (1903)&lt;br&gt;
The Golden Bowl &amp;ndash; Henry James (1904)&lt;br&gt;
Hadrian The Seventh &amp;ndash; Frederick Rolfe (1904)&lt;br&gt;
Nostromo &amp;ndash; Joseph Conrad (1904)&lt;br&gt;
Solitude &amp;ndash; Victor Catala (1905)&lt;br&gt;
Where Angels Fear To Tread &amp;ndash; E M Forster (1905)&lt;br&gt;
Professor Unrat (The Blue Angel) &amp;ndash; Heinrich Mann (1905)&lt;br&gt;
The House Of Mirth &amp;ndash; Edith Wharton (1905)&lt;br&gt;
The Forsythe Saga &amp;ndash; John Galsworthy (1906)&lt;br&gt;
Young Torless &amp;ndash; Robert Musil (1906)&lt;br&gt;
The Jungle &amp;ndash; Upton Sinclair (1906)&lt;br&gt;
The Secret Agent &amp;ndash; Joseph Conrad (1907)&lt;br&gt;
Mother &amp;ndash; Maxim Gorky (1907)&lt;br&gt;
The House On The Borderland &amp;ndash; William Hope Hodgson (1908)&lt;br&gt;
The Old Wive&amp;rsquo;s Tale &amp;ndash; Arnold Bennett (1908)&lt;br&gt;
The Iron Heel &amp;ndash; Jack London (1908)&lt;br&gt;
A Room With A View &amp;ndash; E M Forster (1908)&lt;br&gt;
The Inferno &amp;ndash; Henri Barbusse (1908)&lt;br&gt;
Tono-Bungay &amp;ndash; H G Wells (1908)&lt;br&gt;
Strait Is The Gate &amp;ndash; Andre Gide (1909)&lt;br&gt;
Martin Eden &amp;ndash; Jack London (1909)&lt;br&gt;
Three Lives &amp;ndash; Gertrude Stein (1909)&lt;br&gt;
Impressions Of Africa &amp;ndash; Raymond Roussel (1910)&lt;br&gt;
The Notebooks Of Malte Laurids Brigge &amp;ndash; Rainer Maria Rilke (1910)&lt;br&gt;
Howards End &amp;ndash; E M Forster (1910)&lt;br&gt;
Fantomas &amp;ndash; Marcel Allain &amp;amp; Pierre Souvestre (1911)&lt;br&gt;
Ethan Frome &amp;ndash; Edith Wharton (1911)&lt;br&gt;
The Charwoman&amp;rsquo;s Daughter &amp;ndash; James Stephens (1912)&lt;br&gt;
&lt;strong&gt;Death In Venice &amp;ndash; Thomas Mann (1912)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Sons And Lovers &amp;ndash; D H Lawrence (1913)&lt;/strong&gt;&lt;br&gt;
The Ragged Trousered Philanthropists &amp;ndash; Robert Tressell (1914)&lt;br&gt;
&lt;strong&gt;Tarzan Of The Apes &amp;ndash; Edgar Rice Burroughs (1914)&lt;/strong&gt;&lt;br&gt;
Rosshalde &amp;ndash; Herman Hesse (1914)&lt;br&gt;
Locus Solus &amp;ndash; Raymond Roussel (1914)&lt;br&gt;
Platero And I &amp;ndash; Juan Ramon Jimenez (1914)&lt;br&gt;
&lt;strong&gt;Kokoro &amp;ndash; Natsume Soseki (1914)&lt;/strong&gt;&lt;br&gt;
The Thirty-Nine Steps &amp;ndash; John Buchan (1915)&lt;br&gt;
The Rainbow &amp;ndash; D H Lawrence (1915)&lt;br&gt;
Of Human Bondage &amp;ndash; William Somerset Maugham (1915)&lt;br&gt;
The Voyage Out &amp;ndash; Virginia Woolf (1915)&lt;br&gt;
The Good Soldier &amp;ndash; Ford Madox Ford (1915)&lt;br&gt;
&lt;strong&gt;Rashomon &amp;ndash; Akutagawa Ryunosuke (1915)&lt;/strong&gt;&lt;br&gt;
The Home And The World &amp;ndash; Rabindranath Tagore (1916)&lt;br&gt;
Pallieter &amp;ndash; Felix Timmermans (1916)&lt;br&gt;
Under Fire &amp;ndash; Henri Barbusse (1916)&lt;br&gt;
The Underdogs &amp;ndash; Mariano Azuela (1916)&lt;br&gt;
&lt;strong&gt;A Portrait Of The Artist As A Young Man &amp;ndash; James Joyce (1916)&lt;/strong&gt;&lt;br&gt;
Bunner Sisters &amp;ndash; Edith Wharton (1916)&lt;br&gt;
Growth Of The Soil &amp;ndash; Knut Hamsun (1917)&lt;br&gt;
Summer &amp;ndash; Edith Wharton (1917)&lt;br&gt;
The Shadow Line &amp;ndash; Joseph Conrad (1917)&lt;br&gt;
The Return Of The Soldier &amp;ndash; Rebecca West (1918)&lt;br&gt;
Tarr &amp;ndash; Wyndham Lewis (1919)&lt;br&gt;
Night And Day &amp;ndash; Virginia Woolf (1919)&lt;br&gt;
Storm Of Steel &amp;ndash; Ernst Junger (1920)&lt;br&gt;
&lt;strong&gt;Women In Love &amp;ndash; D H Lawrence (1920)&lt;/strong&gt;&lt;br&gt;
Main Street &amp;ndash; Sinclair Lewis (1920)&lt;br&gt;
The Age Of Innocence &amp;ndash; Edith Wharton (1920)&lt;br&gt;
The Life Of Christ &amp;ndash; Giovanni Papini (1921)&lt;br&gt;
&lt;strong&gt;Crome Yellow &amp;ndash; Aldous Huxley (1921)&lt;/strong&gt;&lt;br&gt;
Kristin Lavransdatter &amp;ndash; Sigrid Undset (1922)&lt;br&gt;
Claudine&amp;rsquo;s House &amp;ndash; Colette (1922)&lt;br&gt;
Forest Of The Hanged &amp;ndash; Liviu Rebreanu (1922)&lt;br&gt;
Ulysses &amp;ndash; James Joyce (1922)&lt;br&gt;
Babbitt &amp;ndash; Sinclair Lewis (1922)&lt;br&gt;
Aaron&amp;rsquo;s Rod &amp;ndash; D H Lawrence (1922)&lt;br&gt;
The Last Days Of Humanity &amp;ndash; Karl Kraus (1922)&lt;br&gt;
Life And Death Of Harriett Frean &amp;ndash; May Sinclair (1922)&lt;br&gt;
The Glimpses Of The Moon &amp;ndash; Edith Wharton (1922)&lt;br&gt;
&lt;strong&gt;Siddhartha &amp;ndash; Herman Hesse (1922)&lt;/strong&gt;&lt;br&gt;
Jacob&amp;rsquo;s Room &amp;ndash; Virginia Woolf (1922)&lt;br&gt;
The Enormous Room &amp;ndash; E E Cummings (1922)&lt;br&gt;
The Garden Party &amp;ndash; Katherine Mansfield (1922)&lt;br&gt;
Amok &amp;ndash; Stefan Zweig (1922)&lt;br&gt;
The Fox &amp;ndash; D H Lawrence (1923)&lt;br&gt;
Antic Hay &amp;ndash; Aldous Huxley (1923)&lt;br&gt;
Cane &amp;ndash; Jean Toomer (1923)&lt;br&gt;
Zeno&amp;rsquo;s Conscience &amp;ndash; Italo Calvino (1923)&lt;br&gt;
The Devil In The Flesh &amp;ndash; Raymond Radiguet (1923)&lt;br&gt;
A Passage To India &amp;ndash; E M Forster (1924)&lt;br&gt;
We &amp;ndash; Yevgeny Zamiatin (1924)&lt;br&gt;
The Magic Mountain &amp;ndash; Thomas Mann (1924)&lt;br&gt;
The Green Hat &amp;ndash; Michael Arlen (1924)&lt;br&gt;
Billy Budd, Foretopman &amp;ndash; Herman Melville (1924)&lt;br&gt;
The Professor&amp;rsquo;s House &amp;ndash; Willa Cather (1925)&lt;br&gt;
The Artamonov Business &amp;ndash; Maxim Gorky (1925)&lt;br&gt;
Chaka The Zulu &amp;ndash; Thomas Mofolo (1925)&lt;br&gt;
&lt;strong&gt;The Trial &amp;ndash; Franz Kafka (1925)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The Counterfeiters &amp;ndash; Andre Gide (1925)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The Great Gatsby &amp;ndash; F Scott Fitzgerald (1925)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Mrs Dalloway &amp;ndash; Virginia Woolf (1925)&lt;/strong&gt;&lt;br&gt;
Manhattan Transfer &amp;ndash; John Dos Passos (1925)&lt;br&gt;
The Making Of Americans &amp;ndash; Gertrude Stein (1925)&lt;br&gt;
New World &amp;ndash; Heruy Welde Sellase (1925)&lt;br&gt;
Under The Sun Of Satan &amp;ndash; Georges Bernanos (1926)&lt;br&gt;
Albert And Jacob &amp;ndash; Cora Sandel (1926)&lt;br&gt;
The Murder Of Roger Ackroyd &amp;ndash; Agatha Christie (1926)&lt;br&gt;
One, None And A Hundred Thousand &amp;ndash; Luigi Pirandello (1926)&lt;br&gt;
The Plumed Serpent &amp;ndash; D H Lawrence (1926)&lt;br&gt;
The Good Soldier Svejk &amp;ndash; Jaroslav Hasek (1926)&lt;br&gt;
The Castle &amp;ndash; Franz Kafka (1926)&lt;br&gt;
Blindness &amp;ndash; Henry Green (1926)&lt;br&gt;
The Sun Also Rises &amp;ndash; Ernest Hemingway (1926)&lt;br&gt;
In Search Of Lost Time &amp;ndash; Marcel Proust (1927)&lt;br&gt;
The Case Of Sergeant Grischa &amp;ndash; Arnold Zweig (1927)&lt;br&gt;
Amerika &amp;ndash; Franz Kafka (1927)&lt;br&gt;
Tarka The Otter &amp;ndash; Henry Williamson (1927)&lt;br&gt;
To The Lighthouse &amp;ndash; Virginia Woolf (1927)&lt;br&gt;
Rememberance Of Things Past &amp;ndash; Marcel Proust (1927)&lt;br&gt;
&lt;strong&gt;Steppenwolf &amp;ndash; Herman Hesse (1927)&lt;/strong&gt;&lt;br&gt;
Nadja &amp;ndash; Andre Breton (1928)&lt;br&gt;
Some Prefer Nettles &amp;ndash; Junichiro Tanizaki (1928)&lt;br&gt;
Parade&amp;rsquo;s End &amp;ndash; Ford Madox Ford (1928)&lt;br&gt;
Quicksand &amp;ndash; Nella Larsen (1928)&lt;br&gt;
Decline And Fall &amp;ndash; Evelyn Waugh (1928)&lt;br&gt;
Quartet &amp;ndash; Jean Rhys (1928)&lt;br&gt;
The Childermass &amp;ndash; Wyndham Lewis (1928)&lt;br&gt;
The Well Of Loneliness &amp;ndash; Radclyffe Hall (1928)&lt;br&gt;
&lt;strong&gt;Lady Chatterley&amp;rsquo;s Lover &amp;ndash; D H Lawrence (1928)&lt;/strong&gt;&lt;br&gt;
Orlando &amp;ndash; Virginia Woolf (1928)&lt;br&gt;
Story Of The Eye &amp;ndash; Georges Bataille (1928)&lt;br&gt;
Retreat Without Song &amp;ndash; Shahan Shahnoor (1929)&lt;br&gt;
I Thought Of Daisy &amp;ndash; Edmund Wilson (1929)&lt;br&gt;
Look Homeward, Angel &amp;ndash; Thomas Wolfe (1929)&lt;br&gt;
Les Enfants Terribles &amp;ndash; Jean Cocteau (1929)&lt;br&gt;
The Sound And The Fury &amp;ndash; William Faulkner (1929)&lt;br&gt;
Harriet Hume &amp;ndash; Rebecca West (1929)&lt;br&gt;
The Last September &amp;ndash; Elizabeth Bowen (1929)&lt;br&gt;
Berlin Alexanderplatz &amp;ndash; Alfred Doblin (1929)&lt;br&gt;
All Quiet On The Western Front &amp;ndash; Erich Maria Remarque (1929)&lt;br&gt;
The Time Of Indifference &amp;ndash; Alberto Moravia (1929)&lt;br&gt;
Living &amp;ndash; Henry Green (1929)&lt;br&gt;
Red Harvest &amp;ndash; Dashiell Hammett (1929)&lt;br&gt;
A Farewell To Arms &amp;ndash; Ernest Hemingway (1929)&lt;br&gt;
Passing &amp;ndash; Nella Larsen (1929)&lt;br&gt;
Hebdomeros &amp;ndash; Giorgio de Chirico (1929)&lt;br&gt;
The Maltese Falcon &amp;ndash; Dashiell Hammett (1929)&lt;br&gt;
Monica &amp;ndash; Saunders Lewis (1930)&lt;br&gt;
Vile Bodies &amp;ndash; Evelyn Waugh (1930)&lt;br&gt;
Her Privates We &amp;ndash; Frederic Manning (1930)&lt;br&gt;
Insatiability &amp;ndash; Stanislaw Witkiewicz (1930)&lt;br&gt;
The Apes Of God &amp;ndash; Wyndham Lewis (1930)&lt;br&gt;
Cakes And Ale &amp;ndash; W Somerset Maugham (1930)&lt;br&gt;
The Glass Key &amp;ndash; Dashiell Hammett (1931)&lt;br&gt;
The Waves &amp;ndash; Virginia Woolf (1931)&lt;br&gt;
The Forbidden Realm &amp;ndash; J Slauerhoff (1932)&lt;br&gt;
The Return Of Philip Latinowicz &amp;ndash; Miroslav Krleza (1932)&lt;br&gt;
The Radetzky March &amp;ndash; Joseph Roth (1932)&lt;br&gt;
The Thin Man &amp;ndash; Dashiell Hammett (1932)&lt;br&gt;
To The North &amp;ndash; Elizabeth Bowen (1932)&lt;br&gt;
Cold Comfort Farm &amp;ndash; Stella Gibbons (1932)&lt;br&gt;
&lt;strong&gt;Brave New World &amp;ndash; Aldous Huxley (1932)&lt;/strong&gt;&lt;br&gt;
Journey To The End of the Night &amp;ndash; Louis-Ferdinand Celine (1932)&lt;br&gt;
A Scots Quair (Sunset Song) &amp;ndash; Lewis Grassic Gibbon (1932)&lt;br&gt;
Viper&amp;rsquo;s Tangle &amp;ndash; Francois Mauriac (1932)&lt;br&gt;
Joseph And His Brothers &amp;ndash; Thomas Mann (1933)&lt;br&gt;
Man&amp;rsquo;s Fate &amp;ndash; Andre Malraux (1933)&lt;br&gt;
Cheese &amp;ndash; Willem Elsschot (1933)&lt;br&gt;
The Man Without Qualities &amp;ndash; Robert Musil (1933)&lt;br&gt;
A Day Off &amp;ndash; Storm Jameson (1933)&lt;br&gt;
Testament Of Youth &amp;ndash; Vera Brittain (1933)&lt;br&gt;
The Autobiography Of Alice B Toklas &amp;ndash; Gertrude Stein (1933)&lt;br&gt;
Murder Must Advertise &amp;ndash; Dorothy L Sayers (1933)&lt;br&gt;
Miss Lonelyhearts &amp;ndash; Nathanael West (1933)&lt;br&gt;
The Street Of Crocodiles &amp;ndash; Bruno Schulz (1934)&lt;br&gt;
Call It Sleep &amp;ndash; Henry Roth (1934)&lt;br&gt;
Thank You, Jeeves &amp;ndash; P G Wodehouse (1934)&lt;br&gt;
Tender Is The Night &amp;ndash; F Scott Fitzgerald (1934)&lt;br&gt;
A Handful Of Dust &amp;ndash; Evelyn Waugh (1934)&lt;br&gt;
&lt;strong&gt;Tropic Of Cancer &amp;ndash; Henry Miller (1934)&lt;/strong&gt;&lt;br&gt;
The Postman Always Rings Twice &amp;ndash; James M Cain (1934)&lt;br&gt;
Novel With Cocaine &amp;ndash; M Ageyev (1934)&lt;br&gt;
Threepenny Novel &amp;ndash; Bertolt Brecht (1934)&lt;br&gt;
The Nine Tailors &amp;ndash; Dorothy L Sayers (1934)&lt;br&gt;
&lt;strong&gt;Burmese Days &amp;ndash; George Orwell (1934)&lt;/strong&gt;&lt;br&gt;
On The Heights Of Despair &amp;ndash; Emile Cioran (1934)&lt;br&gt;
The Bells Of Basel &amp;ndash; Louis Aragon (1934)&lt;br&gt;
Untouchable &amp;ndash; Mulk Raj Anand (1935)&lt;br&gt;
England Made Me &amp;ndash; Graham Greene (1935)&lt;br&gt;
The House In Paris &amp;ndash; Elizabeth Bowen (1935)&lt;br&gt;
They Shoot Horses, Don&amp;rsquo;t They? &amp;ndash; Horace McCoy (1935)&lt;br&gt;
The Last Of Mr Norris &amp;ndash; Christopher Isherwood (1935)&lt;br&gt;
Auto-Da-Fe &amp;ndash; Elias Canetti (1935)&lt;br&gt;
Independent People &amp;ndash; Halldor Laxness (1935)&lt;br&gt;
Nightwood &amp;ndash; Djuna Barnes (1935)&lt;br&gt;
Rickshaw Boy &amp;ndash; Lao She (1936)&lt;br&gt;
War With The Newts &amp;ndash; Karel Capek (1936)&lt;br&gt;
At The Mountains Of Madness &amp;ndash; H P Lovecraft (1936)&lt;br&gt;
Absalom, Absalom! &amp;ndash; William Faulkner (1936)&lt;br&gt;
Wild Harbour &amp;ndash; Ian MacPherson (1936)&lt;br&gt;
Keep The Aspidistra Flying &amp;ndash; George Orwell (1936)&lt;br&gt;
&lt;strong&gt;Gone With The Wind &amp;ndash; Margaret Mitchell (1936)&lt;/strong&gt;&lt;br&gt;
The Thinking Reed &amp;ndash; Rebecca West (1936)&lt;br&gt;
&lt;strong&gt;Eyeless In Gaza &amp;ndash; Aldous Huxley (1936)&lt;/strong&gt;&lt;br&gt;
Summer Will Show &amp;ndash; Sylvia Townsend Warner (1936)&lt;br&gt;
Ferdydurke &amp;ndash; Witold Gombrowicz (1937)&lt;br&gt;
The Blind Owl &amp;ndash; Sadeq Hedayat (1937)&lt;br&gt;
To Have And Have Not &amp;ndash; Ernest Hemingway (1937)&lt;br&gt;
Out Of Africa &amp;ndash; Karen Blixen (Isak Dinesen) (1937)&lt;br&gt;
The Revenge Of Love &amp;ndash; Wyndham Lewis (1937)&lt;br&gt;
In Parenthesis &amp;ndash; David Jones (1937)&lt;br&gt;
The Years &amp;ndash; Virginia Woolf (1937)&lt;br&gt;
&lt;strong&gt;The Hobbit &amp;ndash; J R R Tolkein (1937)&lt;/strong&gt;&lt;br&gt;
Their Eyes Were Watching God &amp;ndash; Zora Neale Hurston (1937)&lt;br&gt;
Of Mice And Men &amp;ndash; John Steinbeck (1937)&lt;br&gt;
On The Edge Of Reason &amp;ndash; Miroslav Krleza (1938)&lt;br&gt;
Alamut &amp;ndash; Vladimir Bartol (1938)&lt;br&gt;
Murphy &amp;ndash; Samuel Beckett (1938)&lt;br&gt;
USA &amp;ndash; John Dos Passos (1938)&lt;br&gt;
Brighton Rock &amp;ndash; Graham Greene (1938)&lt;br&gt;
Cause For Alarm &amp;ndash; Eric Ambler (1938)&lt;br&gt;
Rebecca &amp;ndash; Daphne Du Maurier (1938)&lt;br&gt;
Nausea &amp;ndash; Jean-Paul Sartre (1938)&lt;br&gt;
Miss Pettigrew Lives For A Day &amp;ndash; Winifred Watson (1938)&lt;br&gt;
After The Death Of Don Juan &amp;ndash; Sylvia Townsend Warner (1938)&lt;br&gt;
The Big Sleep &amp;ndash; Raymond Chandler (1939)&lt;br&gt;
Good Morning, Midnight &amp;ndash; Jean Rhys (1939)&lt;br&gt;
Tropic Of Capricorn &amp;ndash; Henry Miller (1939)&lt;br&gt;
&lt;strong&gt;Goodbye To Berlin &amp;ndash; Christopher Isherwood (1939)&lt;/strong&gt;&lt;br&gt;
Coming Up For Air &amp;ndash; George Orwell (1939)&lt;br&gt;
At Swim Two Birds &amp;ndash; Flann O&amp;rsquo;Brien (1939)&lt;br&gt;
Finnegans Wake &amp;ndash; James Joyce (1939)&lt;br&gt;
The Grapes Of Wrath &amp;ndash; John Steinbeck (1939)&lt;br&gt;
Party Going &amp;ndash; Henry Green (1939)&lt;br&gt;
The Man Who Loved Children &amp;ndash; Christina Stead (1940)&lt;br&gt;
The Tartar Steppe &amp;ndash; Dino Buzzati (1940)&lt;br&gt;
The Power And The Glory &amp;ndash; Graham Greene (1940)&lt;br&gt;
Native Son &amp;ndash; Richard Wright (1940)&lt;br&gt;
For Whom The Bell Tolls &amp;ndash; Ernest Hemingway (1940)&lt;br&gt;
Farewell My Lovely &amp;ndash; Raymond Chandler (1940)&lt;br&gt;
The Hamlet &amp;ndash; William Faulkner (1940)&lt;br&gt;
The Harvesters &amp;ndash; Cesare Pavese (1941)&lt;br&gt;
Broad And Alien Is The World &amp;ndash; Ciro Alegria (1941)&lt;br&gt;
Between The Acts &amp;ndash; Virginia Woolf (1941)&lt;br&gt;
Hangover Square &amp;ndash; Patrick Hamilton (1941)&lt;br&gt;
The Living And The Dead &amp;ndash; Patrick White (1941)&lt;br&gt;
The Poor Mouth &amp;ndash; Flann O&amp;rsquo;Brien (1941)&lt;br&gt;
Conversations In Sicily &amp;ndash; Elio Vittorini (1941)&lt;br&gt;
Chess Story (The Royal Game) &amp;ndash; Stefan Zweig (1942)&lt;br&gt;
The Outsider &amp;ndash; Albert Camus (1942)&lt;br&gt;
Go Down, Moses &amp;ndash; William Faulkner (1942)&lt;br&gt;
Embers &amp;ndash; Sandor Marai (1942)&lt;br&gt;
&lt;strong&gt;The Glass Bead Game &amp;ndash; Herman Hesse (1943)&lt;/strong&gt;&lt;br&gt;
Caught &amp;ndash; Henry Green (1943)&lt;br&gt;
&lt;strong&gt;The Little Prince &amp;ndash; Antoine de Saint-Exupery (1943)&lt;/strong&gt;&lt;br&gt;
Dangling Man &amp;ndash; Saul Bellow (1944)&lt;br&gt;
Ficciones &amp;ndash; Jorge Luis Borges (1944)&lt;br&gt;
Transit &amp;ndash; Anna Seghers (1944)&lt;br&gt;
The Razor&amp;rsquo;s Edge &amp;ndash; William Somerset Maugham (1944)&lt;br&gt;
Pippi Longstocking &amp;ndash; Astrid Lindgren (1944)&lt;br&gt;
The Tin Flute &amp;ndash; Gabrielle Roy (1945)&lt;br&gt;
Bosnian Chronicle &amp;ndash; Ivo Andric (1945)&lt;br&gt;
Nada &amp;ndash; Carmen Laforet (1945)&lt;br&gt;
The Death Of Virgil &amp;ndash; Hermann Broch (1945)&lt;br&gt;
Christ Stopped At Eboli &amp;ndash; Carlo Levi (1945)&lt;br&gt;
Arcanum 17 &amp;ndash; Andre Breton (1945)&lt;br&gt;
Loving &amp;ndash; Henry Green (1945)&lt;br&gt;
The Pursuit Of Love &amp;ndash; Nancy Mitford (1945)&lt;br&gt;
Cannery Row &amp;ndash; John Steinbeck (1945)&lt;br&gt;
&lt;strong&gt;Animal Farm &amp;ndash; George Orwell (1945)&lt;/strong&gt;&lt;br&gt;
Brideshead Revisited &amp;ndash; Evelyn Waugh (1945)&lt;br&gt;
The Bridge Over The Drina &amp;ndash; Ivo Andric (1945)&lt;br&gt;
&lt;strong&gt;Titus Groan &amp;ndash; Mervyn Peake (1946)&lt;/strong&gt;&lt;br&gt;
Back &amp;ndash; Henry Green (1946)&lt;br&gt;
A House In The Uplands &amp;ndash; Erskine Caldwell (1946)&lt;br&gt;
&lt;strong&gt;Zorba The Greek &amp;ndash; Nikos Kazantzakis (1946)&lt;/strong&gt;&lt;br&gt;
Midaq Alley &amp;ndash; Naguib Mahfouz (1947)&lt;br&gt;
Froth On The Daydream &amp;ndash; Boris Vian (1947)&lt;br&gt;
The Plague &amp;ndash; Albert Camus (1947)&lt;br&gt;
The Path Of The Nest Of Spiders &amp;ndash; Italo Calvino (1947)&lt;br&gt;
Under The Volcano &amp;ndash; Malcolm Lowry (1947)&lt;br&gt;
If This Is A Man &amp;ndash; Primo Levi (1947)&lt;br&gt;
Exercises In Style &amp;ndash; Raymond Queneau (1947)&lt;br&gt;
The Victim &amp;ndash; Saul Bellow (1947)&lt;br&gt;
Doctor Faustus &amp;ndash; Thomas Mann (1947)&lt;br&gt;
Cry, The Beloved Country &amp;ndash; Alan Paton (1948)&lt;br&gt;
The Heart Of The Matter &amp;ndash; Graham Greene (1948)&lt;br&gt;
Death Sentence &amp;ndash; Maurice Blanchot (1948)&lt;br&gt;
Disobedience &amp;ndash; Alberto Moravia (1948)&lt;br&gt;
All About H Hatterr &amp;ndash; G V Desani (1948)&lt;br&gt;
This Way For The Gas, Ladies And Gentlemen &amp;ndash; Tadeusz Borowski (1948)&lt;br&gt;
In The Heart Of The Sea &amp;ndash; Shmuel Yosef Agnon (1948)&lt;br&gt;
Journey To Alcarria &amp;ndash; Camilo Jose Cela (1948)&lt;br&gt;
Ashes And Diamonds &amp;ndash; Jerzy Andrzejewski (1948)&lt;br&gt;
&lt;strong&gt;Nineteen Eighty-Four &amp;ndash; George Orwell (1949)&lt;/strong&gt;&lt;br&gt;
The Man With The Golden Arm &amp;ndash; Nelson Algren (1949)&lt;br&gt;
Kingdom Of This World &amp;ndash; Alejo Carpentier (1949)&lt;br&gt;
The Heat Of The Day &amp;ndash; Elizabeth Bowen (1949)&lt;br&gt;
The Case Of Comrade Tulayev &amp;ndash; Victor Serge (1949)&lt;br&gt;
Love in a Cold Climate &amp;ndash; Nancy Mitford (1949)&lt;br&gt;
A Town Like Alice &amp;ndash; Nevil Shute (1950)&lt;br&gt;
The Guiltless &amp;ndash; Hermann Broch (1950)&lt;br&gt;
Barabbas &amp;ndash; Par Lagerkvist (1950)&lt;br&gt;
The Garden Where The Brass Band Played &amp;ndash; Simon Vestdijk (1950)&lt;br&gt;
The Moon And The Bonfires &amp;ndash; Cesare Pavese (1950)&lt;br&gt;
&lt;strong&gt;I, Robot &amp;ndash; Isaac Asimov (1950)&lt;/strong&gt;&lt;br&gt;
The Grass Is Singing &amp;ndash; Doris Lessing (1950)&lt;br&gt;
&lt;strong&gt;Gormenghast &amp;ndash; Mervyn Peake (1950)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The 13 Clocks &amp;ndash; James Thurber (1950)&lt;/strong&gt;&lt;br&gt;
The Third Man &amp;ndash; Graham Greene (1950)&lt;br&gt;
The Labyrinth Of Solitude &amp;ndash; Octavio Paz (1950)&lt;br&gt;
The Abbot C &amp;ndash; Georges Bataille (1950)&lt;br&gt;
The Hive &amp;ndash; Camilo Jose Cela (1951)&lt;br&gt;
The End Of The Affair &amp;ndash; Graham Greene (1951)&lt;br&gt;
Molloy &amp;ndash; Samuel Beckett (1951)&lt;br&gt;
The Rebel &amp;ndash; Albert Camus (1951)&lt;br&gt;
&lt;strong&gt;The Catcher In The Rye &amp;ndash; J D Salinger (1951)&lt;/strong&gt;&lt;br&gt;
The Opposing Shore &amp;ndash; Julien Gracq (1951)&lt;br&gt;
&lt;strong&gt;Foundation &amp;ndash; Isaac Asimov (1951)&lt;/strong&gt;&lt;br&gt;
Day Of The Triffids &amp;ndash; John Wyndham (1951)&lt;br&gt;
Malone Dies &amp;ndash; Samuel Beckett (1951)&lt;br&gt;
&lt;strong&gt;Memoirs Of Hadrian &amp;ndash; Marguerite Yourcenar (1951)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Thousand Cranes &amp;ndash; Yasunari Kawabata (1952)&lt;/strong&gt;&lt;br&gt;
Excellent Women &amp;ndash; Barbara Pym (1952)&lt;br&gt;
The Killer Inside Me &amp;ndash; Jim Thompson (1952)&lt;br&gt;
Wise Blood &amp;ndash; Flannery O&amp;rsquo;Connor (1952)&lt;br&gt;
The Old Man And The Sea &amp;ndash; Ernest Hemingway (1952)&lt;br&gt;
Invisible Man &amp;ndash; Ralph Ellison (1952)&lt;br&gt;
The Judge And His Hangman &amp;ndash; Friedrich Durrenmatt (1952)&lt;br&gt;
The Lost Steps &amp;ndash; Alejo Carpentier (1953)&lt;br&gt;
The Hothouse &amp;ndash; Wolfgang Koeppen (1953)&lt;br&gt;
The Dark Child &amp;ndash; Camara Laye (1953)&lt;br&gt;
Casino Royale &amp;ndash; Ian Fleming (1953)&lt;br&gt;
Go Tell It On The Mountain &amp;ndash; James Baldwin (1953)&lt;br&gt;
The Adventures Of Augie March &amp;ndash; Saul Bellow (1953)&lt;br&gt;
Junkie &amp;ndash; William Burroughs (1953)&lt;br&gt;
Lucky Jim &amp;ndash; Kingsley Amis (1953)&lt;br&gt;
Watt &amp;ndash; Samuel Beckett (1953)&lt;br&gt;
The Unnamable &amp;ndash; Samuel Beckett (1953)&lt;br&gt;
The Long Goodbye &amp;ndash; Raymond Chandler (1953)&lt;br&gt;
The Go-Between &amp;ndash; L P Hartley (1953)&lt;br&gt;
The Unknown Soldier &amp;ndash; Vaino Linna (1954)&lt;br&gt;
The Sound Of Waves &amp;ndash; Yukio Mishima (1954)&lt;br&gt;
Death In Rome &amp;ndash; Wolfgang Koeppen (1954)&lt;br&gt;
A Day In Spring &amp;ndash; Ciril Kosmac (1954)&lt;br&gt;
The Mandarins &amp;ndash; Simone de Beauvoir (1954)&lt;br&gt;
Under The Net &amp;ndash; Iris Murdoch (1954)&lt;br&gt;
&lt;strong&gt;Lord Of The Flies &amp;ndash; William Golding (1954)&lt;/strong&gt;&lt;br&gt;
A Ghost At Noon &amp;ndash; Alberto Moravia (1954)&lt;br&gt;
The Story Of O &amp;ndash; Pauline Reage (1954)&lt;br&gt;
Self Condemned &amp;ndash; Wyndham Lewis (1954)&lt;br&gt;
I&amp;rsquo;m Not Stiller &amp;ndash; Max Frisch (1954)&lt;br&gt;
Bonjour Tristesse &amp;ndash; Francoise Sagan (1954)&lt;br&gt;
&lt;strong&gt;The Lord Of The Rings &amp;ndash; J R R Tolkein (1954-56)&lt;/strong&gt;&lt;br&gt;
The Tree Of Man &amp;ndash; Patrick White (1955)&lt;br&gt;
The Burning Plain &amp;ndash; Juan Rulfo (1955)&lt;br&gt;
The Ragazzi &amp;ndash; Pier Paulo Pasolini (1955)&lt;br&gt;
The Recognitions &amp;ndash; William Gaddis (1955)&lt;br&gt;
&lt;strong&gt;The Last Temptation Of Christ &amp;ndash; Nikos Kazantzakis (1955)&lt;/strong&gt;&lt;br&gt;
The Quiet American &amp;ndash; Graham Greene (1955)&lt;br&gt;
The Trusting And The Maimed &amp;ndash; James Plunkett (1955)&lt;br&gt;
A World Of Love &amp;ndash; Elizabeth Bowen (1955)&lt;br&gt;
&lt;strong&gt;Lolita &amp;ndash; Vladimir Nabokov (1955)&lt;/strong&gt;&lt;br&gt;
The Talented Mr Ripley &amp;ndash; Patricia Highsmith (1955)&lt;br&gt;
The Floating Opera &amp;ndash; John Barth (1956)&lt;br&gt;
Seize The Day &amp;ndash; Saul Bellow (1956)&lt;br&gt;
The Roots Of Heaven &amp;ndash; Romain Gary (1956)&lt;br&gt;
The Lonely Londoners &amp;ndash; Sam Selvon (1956)&lt;br&gt;
Giovanni&amp;rsquo;s Room &amp;ndash; James Baldwin (1956)&lt;br&gt;
The Devil To Pay In The Backlands &amp;ndash; Joao Guimaraes Rosa (1956)&lt;br&gt;
The Manila Rope &amp;ndash; Veijo Meri (1957)&lt;br&gt;
The Glass Bees &amp;ndash; Ernst Junger (1957)&lt;br&gt;
The Birds &amp;ndash; Tarjei Vesaas (1957)&lt;br&gt;
The Deadbeats &amp;ndash; Ward Ruyslinck (1957)&lt;br&gt;
Justine &amp;ndash; Lawrence Durrell (1957)&lt;br&gt;
The Wonderful O &amp;ndash; James Thurber (1957)&lt;br&gt;
Doctor Zhivago &amp;ndash; Boris Pasternak (1957)&lt;br&gt;
Pnin &amp;ndash; Vladimir Nabokov (1957)&lt;br&gt;
On The Road &amp;ndash; Jack Kerouac (1957)&lt;br&gt;
Homo Faber &amp;ndash; Max Frisch (1957)&lt;br&gt;
Blue Of Noon &amp;ndash; Georges Bataille (1957)&lt;br&gt;
The Midwich Cuckoos &amp;ndash; John Wyndham (1957)&lt;br&gt;
Voss &amp;ndash; Patrick White (1957)&lt;br&gt;
Jealousy &amp;ndash; Alain Robbe-Grillet (1957)&lt;br&gt;
The Bell &amp;ndash; Iris Murdoch (1958)&lt;br&gt;
&lt;strong&gt;The Once And Future King &amp;ndash; T H White (1958)&lt;/strong&gt;&lt;br&gt;
The End Of The Road &amp;ndash; John Barth (1958)&lt;br&gt;
Borstal Boy &amp;ndash; Brendan Behan (1958)&lt;br&gt;
Mrs &amp;lsquo;Arris Goes To Paris &amp;ndash; Paul Gallico (1958)&lt;br&gt;
Saturday Night And Sunday Morning &amp;ndash; Alan Sillitoe (1958)&lt;br&gt;
Things Fall Apart &amp;ndash; Chinua Achebe (1958)&lt;br&gt;
The Bitter Glass &amp;ndash; Eilis Dillon (1958)&lt;br&gt;
Pluck The Bud And Destroy The Offspring &amp;ndash; Kenzaburo Oe (1958)&lt;br&gt;
The Leopard &amp;ndash; Giuseppe Tomasi Di Lampedusa (1958)&lt;br&gt;
&lt;strong&gt;Breakfast At Tiffany&amp;rsquo;s &amp;ndash; Truman Capote (1958)&lt;/strong&gt;&lt;br&gt;
The Guide &amp;ndash; R K Narayan (1958)&lt;br&gt;
Deep Rivers &amp;ndash; Jose Maria Arguedas (1958)&lt;br&gt;
Gabriela, Clove And Cinnamon &amp;ndash; Jorge Amado (1958)&lt;br&gt;
Down Second Avenue &amp;ndash; Es&amp;rsquo;kia Mphahlele (1959)&lt;br&gt;
Billiards At Half-Past Nine &amp;ndash; Heinrich Boll (1959(&lt;br&gt;
Memento Mori &amp;ndash; Muriel Spark (1959)&lt;br&gt;
Henderson The Rain King &amp;ndash; Saul Bellow (1959)&lt;br&gt;
Absolute Beginners &amp;ndash; Colin MacInnes (1959)&lt;br&gt;
The Tin Drum &amp;ndash; Gunter Grass (1959)&lt;br&gt;
Naked Lunch &amp;ndash; William Burroughs (1959)&lt;br&gt;
Billy Liar &amp;ndash; Keith Waterhouse (1959)&lt;br&gt;
Cider With Rosie &amp;ndash; Laurie Lee (1959)&lt;br&gt;
Halftime: A Novel &amp;ndash; Martin Walser (1960)&lt;br&gt;
God&amp;rsquo;s Bits Of Wood &amp;ndash; Ousmane Sembene (1960)&lt;br&gt;
The Magician Of Lublin &amp;ndash; Isaac Bashevis Singer (1960)&lt;br&gt;
Bebo&amp;rsquo;s Girl &amp;ndash; Carlo Cassola (1960)&lt;br&gt;
Promise At Dawn &amp;ndash; Romain Gary (1960)&lt;br&gt;
Rabbit, Run &amp;ndash; John Updike (1960)&lt;br&gt;
To Kill A Mockingbird &amp;ndash; Harper Lee (1960)&lt;br&gt;
The Country Girls &amp;ndash; Edna O&amp;rsquo;Brien (1960)&lt;br&gt;
Our Ancestors &amp;ndash; Italo Calvino (1960)&lt;br&gt;
How It Is &amp;ndash; Samuel Beckett (1960)&lt;br&gt;
The Violent Bear It Away &amp;ndash; Flannery O&amp;rsquo;Connor (1960)&lt;br&gt;
Catch-22 &amp;ndash; Joseph Heller (1961)&lt;br&gt;
The Prime Of Miss Jean Brodie &amp;ndash; Muriel Spark (1961)&lt;br&gt;
Cat And Mouse &amp;ndash; Gunter Grass (1961)&lt;br&gt;
Solaris &amp;ndash; Stanislaw Lem (1961)&lt;br&gt;
Faces In The Water &amp;ndash; Janet Frame (1961)&lt;br&gt;
A Severed Head &amp;ndash; Iris Murdoch (1961)&lt;br&gt;
Franny And Zooey &amp;ndash; J D Salinger (1961)&lt;br&gt;
&lt;strong&gt;Stranger In A Strange Land &amp;ndash; Robert Heinlein (1961)&lt;/strong&gt;&lt;br&gt;
The Shipyard &amp;ndash; Juan Carlos Onetti (1961)&lt;br&gt;
No One Writes To The Colonel &amp;ndash; Gabriel Garcia Marquez (1961)&lt;br&gt;
Memoirs Of A Peasant Boy &amp;ndash; Xose Neira Vilas (1961)&lt;br&gt;
The Time Of The Hero &amp;ndash; Mario Vargas Llosa (1962)&lt;br&gt;
The Death Of Artemio Cruz &amp;ndash; Carlos Fuentes (1962)&lt;br&gt;
Time Of Silence &amp;ndash; Luis Martin-Santos (1962)&lt;br&gt;
The Garden Of The Finzi-Continis &amp;ndash; Giorgio Bassani (1962)&lt;br&gt;
Girl With Green Eyes &amp;ndash; Edna O&amp;rsquo;Brien (1962)&lt;br&gt;
Labyrinths &amp;ndash; Jorg Luis Borges (1962)&lt;br&gt;
The Golden Notebook &amp;ndash; Doris Lessing (1962)&lt;br&gt;
The Drowned World &amp;ndash; J G Ballard (1962)&lt;br&gt;
Pale Fire &amp;ndash; Vladimir Nabokov (1962)&lt;br&gt;
A Clockwork Orange &amp;ndash; Anthony Burgess (1962)&lt;br&gt;
One Flew Over The Cuckoos Nest &amp;ndash; Ken Kesey (1962)&lt;br&gt;
The Third Wedding &amp;ndash; Costas Taktsis (1963)&lt;br&gt;
Dog Years &amp;ndash; Gunter Grass (1963)&lt;br&gt;
&lt;strong&gt;The Collector &amp;ndash; John Fowles (1963)&lt;/strong&gt;&lt;br&gt;
One Day In The Life Of Ivan Denisovich &amp;ndash; Aleksandr Solzheitsyn (1963)&lt;br&gt;
The Bell Jar &amp;ndash; Sylvia Plath (1963)&lt;br&gt;
Inside Mr Enderby &amp;ndash; Anthony Burgess (1963)&lt;br&gt;
The Girls Of Slender Means &amp;ndash; Muriel Spark (1963)&lt;br&gt;
The Spy Who Came In From The Cold &amp;ndash; John Le Carre (1963)&lt;br&gt;
Manon Des Sources &amp;ndash; Marcel Pagnol (1963)&lt;br&gt;
The Graduate &amp;ndash; Charles Webb (1963)&lt;br&gt;
Cat&amp;rsquo;s Cradle &amp;ndash; Kurt Vonnegut (1963)&lt;br&gt;
&lt;strong&gt;V &amp;ndash; Thomas Pynchon (1963)&lt;/strong&gt;&lt;br&gt;
Three Trapped Tigers &amp;ndash; Guillermo Cabrera Infante (1964)&lt;br&gt;
Garden, Ashes &amp;ndash; Danilo Kis (1964)&lt;br&gt;
Return To Oegstgeest &amp;ndash; Jan Wolkers (1964)&lt;br&gt;
Herzog &amp;ndash; Saul Bellow (1964)&lt;br&gt;
The Ravishing Of Lol V Stein &amp;ndash; Marguerite Duras (1964)&lt;br&gt;
Arrow Of God &amp;ndash; Chinua Achebe (1964)&lt;br&gt;
Albert Angelo &amp;ndash; B S Johnson (1964)&lt;br&gt;
Come Back, Dr Caligari &amp;ndash; Donald Barthelme (1964)&lt;br&gt;
Sometimes A Great Notion &amp;ndash; Ken Kesey (1964)&lt;br&gt;
The Passion According To G H &amp;ndash; Clarice Lispector (1964)&lt;br&gt;
Closely Watched Trains &amp;ndash; Bohumil Hrabal (1965)&lt;br&gt;
Everything That Rises Must Converge &amp;ndash; Flannery O&amp;rsquo;Connor (1965)&lt;br&gt;
God Bless You, Mr Rosewater &amp;ndash; Kurt Vonnegut (1965)&lt;br&gt;
August Is A Wicked Month &amp;ndash; Edna O&amp;rsquo;Brien (1965)&lt;br&gt;
The River Between &amp;ndash; Ngugi Wa Thiong&amp;rsquo;o (1965)&lt;br&gt;
Things &amp;ndash; Georges Perec (1965)&lt;br&gt;
Death And The Dervish &amp;ndash; Mesa Selimovic (1966)&lt;br&gt;
Silence &amp;ndash; Shusaku Endo (1966)&lt;br&gt;
Marks Of Identity &amp;ndash; Juan Goytisolo (1966)&lt;br&gt;
To Each His Own &amp;ndash; Leonardo Sciascia (1966)&lt;br&gt;
The Crying Of Lot 49 &amp;ndash; Thomas Pynchon (1966)&lt;br&gt;
Giles Goat-Boy &amp;ndash; John Barth (1966)&lt;br&gt;
Wide Sargasso Sea &amp;ndash; Jean Rhys (1966)&lt;br&gt;
The Vice-Consul &amp;ndash; Marguerite Duras (1966)&lt;br&gt;
&lt;strong&gt;The Magus &amp;ndash; John Fowles (1966)&lt;/strong&gt;&lt;br&gt;
In Cold Blood &amp;ndash; Truman Capote (1966)&lt;br&gt;
Trawl &amp;ndash; B S Johnson (1966)&lt;br&gt;
The Birds Fall Down &amp;ndash; Rebecca West (1966)&lt;br&gt;
Miramar &amp;ndash; Naguib Mahfouz (1967)&lt;br&gt;
Z &amp;ndash; Vassilis Vassilikos (1967)&lt;br&gt;
The Manor &amp;ndash; Isaac Bashevis Singer (1967)&lt;br&gt;
A Man Asleep &amp;ndash; Georges Perec (1967)&lt;br&gt;
The Third Policeman &amp;ndash; Flann O&amp;rsquo;Brien (1967)&lt;br&gt;
No Laughing Matter &amp;ndash; Angus Wilson (1967)&lt;br&gt;
The Joke &amp;ndash; Milan Kundera (1967)&lt;br&gt;
Pilgrimage &amp;ndash; Dorothy Richardson (1967)&lt;br&gt;
&lt;strong&gt;The Master And Margarita &amp;ndash; Mikhail Bulgakov (1967)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;One Hundred Years Of Solitude &amp;ndash; Gabriel Garcia Marquez (1967)&lt;/strong&gt;&lt;br&gt;
The Cubs And Other Stories &amp;ndash; Mario Vargas Llosa (1967)&lt;br&gt;
The Electric Kool-Aid Acid Test &amp;ndash; Tom Wolfe (1968)&lt;br&gt;
Chocky &amp;ndash; John Wyndham (1968)&lt;br&gt;
The Quest For Christa T &amp;ndash; Christa Wolf (1968)&lt;br&gt;
A Kestral For A Knave &amp;ndash; Barry Hines (1968)&lt;br&gt;
In Watermelon Sugar &amp;ndash; Richard Brautigan (1968)&lt;br&gt;
The German Lesson &amp;ndash; Siegfried Lenz (1968)&lt;br&gt;
Dark As The Grave Wherein My Friend Is Laid &amp;ndash; Malcolm Lowry (1968)&lt;br&gt;
&lt;strong&gt;Do Androids Dream Of Electric Sheep? &amp;ndash; Philip K Dick (1968)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;2001: A Space Odyssey &amp;ndash; Arthur C Clarke (1968)&lt;/strong&gt;&lt;br&gt;
The First Circle &amp;ndash; Aleksandr Solzheitsyn (1968)&lt;br&gt;
Cancer Ward &amp;ndash; Aleksandr Solzheitsyn (1968)&lt;br&gt;
Belle Du Seigneur &amp;ndash; Albert Cohen (1968)&lt;br&gt;
The Nice And The Good &amp;ndash; Iris Murdoch (1968)&lt;br&gt;
Myra Breckinridge &amp;ndash; Gore Vidal (1968)&lt;br&gt;
Eva Trout &amp;ndash; Elizabeth Bowen (1968)&lt;br&gt;
Cathedral &amp;ndash; Oles Honchar (1968)&lt;br&gt;
Heartbreak Tango &amp;ndash; Manuel Puig (1969)&lt;br&gt;
Moscow Stations &amp;ndash; Venedikt Yerofeev (1969)&lt;br&gt;
The Case Worker &amp;ndash; Gyorgy Konrad (1969)&lt;br&gt;
Seasons Of Migration To The North &amp;ndash; Tayeb Salih (1969)&lt;br&gt;
Here&amp;rsquo;s To You Jesus &amp;ndash; Elena Poniatowska (1969)&lt;br&gt;
Jacob The Liar &amp;ndash; Jurek Becker (1969)&lt;br&gt;
A Void/Avoid &amp;ndash; Georges Perec (1969)&lt;br&gt;
Them &amp;ndash; Joyce Carol Oates (1969)&lt;br&gt;
Ada &amp;ndash; Vladimir Nabokov (1969)&lt;br&gt;
The Godfather &amp;ndash; Mario Puzo (1969)&lt;br&gt;
Portnoy&amp;rsquo;s Complaint &amp;ndash; Philip Roth (1969)&lt;br&gt;
The Green Man &amp;ndash; Kingsley Amis (1969)&lt;br&gt;
&lt;strong&gt;The French Lieutenant&amp;rsquo;s Woman &amp;ndash; John Fowles (1969)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Slaughterhouse-Five &amp;ndash; Kurt Vonnegut, Jr (1969)&lt;/strong&gt;&lt;br&gt;
Blind Man With A Pistol &amp;ndash; Chester Himes (1969)&lt;br&gt;
Pricksongs And Descants &amp;ndash; Robert Coover (1969)&lt;br&gt;
Tent Of Miracles &amp;ndash; Jorge Amado (1969)&lt;br&gt;
Fifth Business &amp;ndash; Robertson Davies (1970)&lt;br&gt;
Play It As It Lays &amp;ndash; Joan Didion (1970)&lt;br&gt;
A World Of Julius &amp;ndash; Alfredo Bryce Echenique (1970)&lt;br&gt;
The Atrocity Exhibition &amp;ndash; J G Ballard (1970)&lt;br&gt;
Jahrestage &amp;ndash; Uwe Johnson (1970)&lt;br&gt;
Troubles &amp;ndash; J G Farrell (1970)&lt;br&gt;
Mercier Et Camier &amp;ndash; Samuel Beckett (1970)&lt;br&gt;
I Know Why The Caged Bird Sings &amp;ndash; Maya Angelou (1970)&lt;br&gt;
Goalie&amp;rsquo;s Anxiety At The Penalty Kick &amp;ndash; Peter Handke (1970)&lt;br&gt;
The Bluest Eye &amp;ndash; Toni Morrison (1970)&lt;br&gt;
The Ogre &amp;ndash; Michel Tournier (1970)&lt;br&gt;
The Driver&amp;rsquo;s Seat &amp;ndash; Muriel Spark (1970)&lt;br&gt;
The Sea Of Fertility &amp;ndash; Yukio Mishima (1970)&lt;br&gt;
Rabbit Redux &amp;ndash; John Updike (1971)&lt;br&gt;
The Wild Boys &amp;ndash; William Burroughs (1971)&lt;br&gt;
Group Portrait With A Lady &amp;ndash; Heinrich Boll (1971)&lt;br&gt;
Fear And Loathing In Las Vegas &amp;ndash; Hunter S Thompson (1971)&lt;br&gt;
The Book Of Daniel &amp;ndash; E L Doctorow (1971)&lt;br&gt;
In A Free State &amp;ndash; V S Naipaul (1971)&lt;br&gt;
House Mother Normal &amp;ndash; B S Johnson (1971)&lt;br&gt;
Cataract &amp;ndash; Mykhailo Osadchy (1971)&lt;br&gt;
Lives of Girls And Women &amp;ndash; Alice Munro (1971)&lt;br&gt;
The Twilight Years &amp;ndash; Sawako Ariyoshi (1972)&lt;br&gt;
The Optimist&amp;rsquo;s Daughter &amp;ndash; Eudora Welty (1972)&lt;br&gt;
The Day Of The Dolphin &amp;ndash; Robert Merle (1972)&lt;br&gt;
Surfacing &amp;ndash; Margaret Atwood (1972)&lt;br&gt;
G &amp;ndash; John Burger (1972)&lt;br&gt;
The Summer Book &amp;ndash; Tove Jansson (1972)&lt;br&gt;
The Breast &amp;ndash; Philip Roth (1972)&lt;br&gt;
Invisible Cities &amp;ndash; Italo Calvino (1972)&lt;br&gt;
Sula &amp;ndash; Toni Morrison (1973)&lt;br&gt;
The Black Prince &amp;ndash; Iris Murdoch (1973)&lt;br&gt;
Gravity&amp;rsquo;s Rainbow &amp;ndash; Thomas Pynchon (1973)&lt;br&gt;
The Honourary Consul &amp;ndash; Graham Greene (1973)&lt;br&gt;
Crash &amp;ndash; J G Ballard (1973)&lt;br&gt;
The Castle Of Crossed Destinies &amp;ndash; Italo Calvino (1973)&lt;br&gt;
The Siege Of Krishnapur &amp;ndash; J G Farrell (1973)&lt;br&gt;
A Question Of Power &amp;ndash; Bessie Head (1973)&lt;br&gt;
Fear Of Flying &amp;ndash; Erica Jong (1973)&lt;br&gt;
Breakfast Of Champions &amp;ndash; Kurt Vonnegut, Jr (1973)&lt;br&gt;
The Dispossessed: An Ambiguous Distopia &amp;ndash; Ursula Le Guin (1974)&lt;br&gt;
The Diviners &amp;ndash; Margaret Laurence (1974)&lt;br&gt;
The Harbour &amp;ndash; Antun Soljan (1974)&lt;br&gt;
Tinker Tailor Soldier Spy &amp;ndash; John Le Carre (1974)&lt;br&gt;
The Lost Honour Of Katharina Blum &amp;ndash; Heinrich Boll (1974)&lt;br&gt;
Dusklands &amp;ndash; J M Coetzee (1974)&lt;br&gt;
The Fan Man &amp;ndash; William Kotzwinkle (1974)&lt;br&gt;
The Year Of The Hare &amp;ndash; Arto Paasilinna (1975)&lt;br&gt;
The Commandant &amp;ndash; Jessica Anderson (1975)&lt;br&gt;
Woman At Point Zero &amp;ndash; Nawal El-Sadaawi (1975)&lt;br&gt;
Ragtime &amp;ndash; E L Doctorow (1975)&lt;br&gt;
Correction &amp;ndash; Thomas Bernhard (1975)&lt;br&gt;
Dead Babies &amp;ndash; Martin Amis (1975)&lt;br&gt;
Humboldt&amp;rsquo;s Gift &amp;ndash; Saul Bellow (1975)&lt;br&gt;
High Rise &amp;ndash; J G Ballard (1975)&lt;br&gt;
Willard And His Bowling Trophies &amp;ndash; Richard Brautigan (1975)&lt;br&gt;
Fateless &amp;ndash; Imre Kertesz (1975)&lt;br&gt;
The Dead Father &amp;ndash; Donald Barthelme (1975)&lt;br&gt;
Grimus &amp;ndash; Salman Rushdie (1975)&lt;br&gt;
A Dance To The Music Of Time &amp;ndash; Anthony Powell (1975)&lt;br&gt;
W, Or The Memory Of Childhood &amp;ndash; Georges Perec (1975)&lt;br&gt;
Autumn Of The Patriarch &amp;ndash; Gabriel Garcia Marquez (1975)&lt;br&gt;
Kiss Of The Spiderwoman &amp;ndash; Manuel Puig (1976)&lt;br&gt;
Almost Transparent Blue &amp;ndash; Ryu Murakami (1976)&lt;br&gt;
Blaming &amp;ndash; Elizabeth Taylor (1976)&lt;br&gt;
Patterns Of Childhood &amp;ndash; Christa Wolf (1976)&lt;br&gt;
Amateurs &amp;ndash; Donald Barthelme (1976)&lt;br&gt;
Cutter And Bone &amp;ndash; Newton Thornburg (1976)&lt;br&gt;
&lt;strong&gt;Interview With A Vampire &amp;ndash; Anne Rice (1976)&lt;/strong&gt;&lt;br&gt;
The Public Burning &amp;ndash; Robert Coover (1976)&lt;br&gt;
Ratner&amp;rsquo;s Star &amp;ndash; Don DeLillo (1976)&lt;br&gt;
The Left-Handed Woman &amp;ndash; Peter Handke (1976)&lt;br&gt;
The Engineer Of Human Souls &amp;ndash; Josef Skvorecky (1977)&lt;br&gt;
Quartet In Autumn &amp;ndash; Barbara Pym (1977)&lt;br&gt;
The Wars &amp;ndash; Timothy Findley (1977)&lt;br&gt;
The Hour Of The Star &amp;ndash; Clarice Lispector (1977)&lt;br&gt;
Song Of Solomon &amp;ndash; Toni Morrison (1977)&lt;br&gt;
Petals Of Blood &amp;ndash; Ngugi Wa Thiong&amp;rsquo;o (1977)&lt;br&gt;
Dispatches &amp;ndash; Michael Herr (1977)&lt;br&gt;
The Shining &amp;ndash; Stephen King (1977)&lt;br&gt;
&lt;strong&gt;Delta Of Venus &amp;ndash; Anais Nin (1977)&lt;/strong&gt;&lt;br&gt;
The Passion Of New Eve &amp;ndash; Angela Carter (1977)&lt;br&gt;
In The Heart Of The Country &amp;ndash; J M Coetzee (1977)&lt;br&gt;
Requiem For A Dream &amp;ndash; Hubert Selby, Jr (1978)&lt;br&gt;
The Beggar Maid &amp;ndash; Alice Munro (1978)&lt;br&gt;
The Back Room &amp;ndash; Carmen Martin Gaite (1978)&lt;br&gt;
The Virgin In The Garden &amp;ndash; A S Byatt (1978)&lt;br&gt;
Yes &amp;ndash; Thomas Bernhard (1978)&lt;br&gt;
The Singapore Grip &amp;ndash; J G Farrell (1978)&lt;br&gt;
The Sea, The Sea &amp;ndash; Iris Murdoch (1978)&lt;br&gt;
Life: A User&amp;rsquo;s Manual &amp;ndash; Georges Perec (1978)&lt;br&gt;
The World According To Garp &amp;ndash; John Irving (1978)&lt;br&gt;
The Cement Garden &amp;ndash; Ian McEwan (1978)&lt;br&gt;
A Dry White Season &amp;ndash; Andre Brink (1979)&lt;br&gt;
So Long A Letter &amp;ndash; Mariama Ba (1979)&lt;br&gt;
Fool&amp;rsquo;s Gold &amp;ndash; Maro Douka (1979)&lt;br&gt;
Southern Seas &amp;ndash; Manuel Vazquez Montalban (1979)&lt;br&gt;
&lt;strong&gt;The Hitchhikers Guide To The Galaxy &amp;ndash; Douglas Adams (1979)&lt;/strong&gt;&lt;br&gt;
If On A Winter&amp;rsquo;s Night A Traveller &amp;ndash; Italo Calvino (1979)&lt;br&gt;
The Safety Net &amp;ndash; Heinrich Boll (1979)&lt;br&gt;
Burger&amp;rsquo;s Daughter &amp;ndash; Nadine Gordimer (1979)&lt;br&gt;
A Bend In The River &amp;ndash; V S Naipaul (1979)&lt;br&gt;
Shikasta &amp;ndash; Doris Lessing (1979)&lt;br&gt;
Smiley&amp;rsquo;s People &amp;ndash; John Le Carre (1979)&lt;br&gt;
The Book Of Laughter And Forgetting &amp;ndash; Milan Kundera (1979)&lt;br&gt;
The Smell Of Sadness &amp;ndash; Alfred Kossmann (1980)&lt;br&gt;
Clear Light Of Day &amp;ndash; Anita Desai (1980)&lt;br&gt;
&lt;strong&gt;The Name Of The Rose &amp;ndash; Umberto Eco (1980)&lt;/strong&gt;&lt;br&gt;
City Primeval &amp;ndash; Elmore Leonard (1980)&lt;br&gt;
Confederacy Of Dunces &amp;ndash; John Kennedy Toole (1980)&lt;br&gt;
Rituals &amp;ndash; Cees Nooteboom (1980)&lt;br&gt;
Rites of Passage &amp;ndash; William Golding (1980)&lt;br&gt;
&lt;strong&gt;Midnight&amp;rsquo;s Children &amp;ndash; Salman Rushdie (1980)&lt;/strong&gt;&lt;br&gt;
Waiting For The Barbarians &amp;ndash; J M Coetzee (1980)&lt;br&gt;
Broken April &amp;ndash; Ismail Kadare (1980)&lt;br&gt;
Leaden Wings &amp;ndash; Zhang Jie (1981)&lt;br&gt;
&lt;strong&gt;The War At The End Of The World &amp;ndash; Mario Vargas Llosa (1981)&lt;/strong&gt;&lt;br&gt;
The House With The Blind Glass Windows &amp;ndash; Herbjorg Wassmo (1981)&lt;br&gt;
Couples, Passersby &amp;ndash; Botho Strauss (1981)&lt;br&gt;
Summer In Baden-Baden &amp;ndash; Leonid Tsypkin (1981)&lt;br&gt;
July&amp;rsquo;s People &amp;ndash; Nadine Gordimer (1981)&lt;br&gt;
The Comfort Of Strangers &amp;ndash; Ian McEwan (1981)&lt;br&gt;
Lanark: A Life In Four Books &amp;ndash; Alasdair Gray (1981)&lt;br&gt;
Rabbit Is Rich &amp;ndash; John Updike (1981)&lt;br&gt;
Memory Of Fire &amp;ndash; Eduardo Galeano (1982)&lt;br&gt;
Baltasar and Blimunda &amp;ndash; Jose Saramago (1982)&lt;br&gt;
The Book Of Disquiet &amp;ndash; Fernando Pessoa (1982)&lt;br&gt;
The Names &amp;ndash; Don DeLillo (1982)&lt;br&gt;
Concrete &amp;ndash; Thomas Bernhard (1982)&lt;br&gt;
On The Black Hill &amp;ndash; Bruce Chatwin (1982)&lt;br&gt;
The Newton Letter &amp;ndash; John Banville (1982)&lt;br&gt;
The House Of The Spirits &amp;ndash; Isabel Allende (1982)&lt;br&gt;
Schindler&amp;rsquo;s Ark &amp;ndash; Thomas Keneally (1982)&lt;br&gt;
A Pale View Of Hills &amp;ndash; Kazuo Ishiguro (1982)&lt;br&gt;
Wittgenstein&amp;rsquo;s Nephew &amp;ndash; Thomas Bernhard (1982)&lt;br&gt;
The Colour Purple &amp;ndash; Alice Walker (1982)&lt;br&gt;
A Boy&amp;rsquo;s Own Story &amp;ndash; Edmund White (1982)&lt;br&gt;
If Not Now, When? &amp;ndash; Primo Levi (1982)&lt;br&gt;
Fado Alexandrino &amp;ndash; Antonio Lobo Antunes (1983)&lt;br&gt;
The Christmas Oratorio &amp;ndash; Goran Tunstrom (1983)&lt;br&gt;
The Witness &amp;ndash; Juan Jose Saer (1983)&lt;br&gt;
The Sorrow Of Belgium &amp;ndash; Hugo Claus (1983)&lt;br&gt;
The Piano Teacher &amp;ndash; Elfriede Jelinek (1983)&lt;br&gt;
The Diary Of Jane Somers &amp;ndash; Doris Lessing (1983)&lt;br&gt;
The Life And Times Of Michael K &amp;ndash; J M Coetzee (1983)&lt;br&gt;
Waterland &amp;ndash; Graham Swift (1983)&lt;br&gt;
La Brava &amp;ndash; Elmore Leonard (1983)&lt;br&gt;
Fools Of Fortune &amp;ndash; William Trevor (1983)&lt;br&gt;
Worstward Ho &amp;ndash; Samuel Beckett (1983)&lt;br&gt;
Shame &amp;ndash; Salman Rushdie (1983)&lt;br&gt;
Larva: A Midsummer Night&amp;rsquo;s Babel &amp;ndash; Julian Rios (1984)&lt;br&gt;
Love Medicine &amp;ndash; Louise Erdrich (1984)&lt;br&gt;
The Young Man &amp;ndash; Botho Strauss (1984)&lt;br&gt;
Professor Marten&amp;rsquo;s Departure &amp;ndash; Jaan Kross (1984)&lt;br&gt;
Money: A Suicide Note &amp;ndash; Martin Amis (1984)&lt;br&gt;
&lt;strong&gt;Flaubert&amp;rsquo;s Parrot &amp;ndash; Julian Barnes (1984)&lt;/strong&gt;&lt;br&gt;
&lt;em&gt;Neuromancer &amp;ndash; William Gibson (1984)&lt;/em&gt;&lt;br&gt;
Blood And Guts In High School &amp;ndash; Kathy Acker (1984)&lt;br&gt;
The Unbearable Lightness Of Being &amp;ndash; Milan Kundera (1984)&lt;br&gt;
&lt;strong&gt;Nights At The Circus &amp;ndash; Angela Carter (1984)&lt;/strong&gt;&lt;br&gt;
The Wasp Factory &amp;ndash; Iain Banks (1984)&lt;br&gt;
Empire Of The Sun &amp;ndash; J G Ballard (1984)&lt;br&gt;
The Lover &amp;ndash; Marguerite Duras (1984)&lt;br&gt;
The Year Of The Death Of Ricardo Reis &amp;ndash; Jose Saramago (1984)&lt;br&gt;
The Busconductor Hines &amp;ndash; James Kelman (1984)&lt;br&gt;
Dictionary Of The Khazars &amp;ndash; Milorad Pavic (1984)&lt;br&gt;
Legend &amp;ndash; David Gemmell (1984)&lt;br&gt;
Half Of Man Is Woman &amp;ndash; Zhang Xianliang (1985)&lt;br&gt;
Simon And The Oaks &amp;ndash; Marianne Fredriksson (1985)&lt;br&gt;
Annie John &amp;ndash; Jamaica Kincaid (1985)&lt;br&gt;
Blood Meridian &amp;ndash; Cormac McCarthy (1985)&lt;br&gt;
Hawksmoor &amp;ndash; Peter Ackroyd (1985)&lt;br&gt;
Queer &amp;ndash; William Burroughs (1985)&lt;br&gt;
&lt;strong&gt;White Noise &amp;ndash; Don DeLillo (1985)&lt;/strong&gt;&lt;br&gt;
Old Masters &amp;ndash; Thomas Bernhard (1985)&lt;br&gt;
Perfume &amp;ndash; Patrick Suskind (1985)&lt;br&gt;
&lt;strong&gt;The Handmaid&amp;rsquo;s Tale &amp;ndash; Margaret Atwood (1985)&lt;/strong&gt;&lt;br&gt;
Contact &amp;ndash; Carl Sagan (1985)&lt;br&gt;
Less Than Zero &amp;ndash; Bret Easton Ellis (1985)&lt;br&gt;
A Maggot &amp;ndash; John Fowles (1985)&lt;br&gt;
The Cider House Rules &amp;ndash; John Irving (1985)&lt;br&gt;
Oranges Are Not The Only Fruit &amp;ndash; Jeannette Winterson (1985)&lt;br&gt;
Love In The Time Of Cholera &amp;ndash; Gabriel Garcia Marquez (1985)&lt;br&gt;
The Parable Of The Blind &amp;ndash; Gert Hofmann (1985)&lt;br&gt;
Reasons To Live &amp;ndash; Amy Hempel (1985)&lt;br&gt;
Ancestral Voices &amp;ndash; Etienne van Heerden (1986)&lt;br&gt;
The Beautiful Mrs Seidenman &amp;ndash; Andrzej Szczypiorski (1986)&lt;br&gt;
The Drowned And The Saved &amp;ndash; Primo Levi (1986)&lt;br&gt;
Foe &amp;ndash; J M Coetzee (1986)&lt;br&gt;
Extinction &amp;ndash; Thomas Bernhard (1986)&lt;br&gt;
An Artist Of The Floating World &amp;ndash; Kazuo Ishiguro (1986)&lt;br&gt;
Lost Language Of Cranes &amp;ndash; David Leavitt (1986)&lt;br&gt;
The Old Devils &amp;ndash; Kingsley Amis (1986)&lt;br&gt;
&lt;strong&gt;Watchmen &amp;ndash; Alan Moore &amp;amp; David Gibbons (1986)&lt;/strong&gt;&lt;br&gt;
Marya: A Life &amp;ndash; Joyce Carol Oates (1986)&lt;br&gt;
Matigari &amp;ndash; Ngugi Wa Thiong&amp;rsquo;o (1986)&lt;br&gt;
Anagrams &amp;ndash; Lorrie Moore (1986)&lt;br&gt;
&lt;strong&gt;Of Love And Shadows &amp;ndash; Isabel Allende (1987)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;Kitchen &amp;ndash; Banana Yoshimoto (1987)&lt;/strong&gt;&lt;br&gt;
A Ballad For Georg Henych &amp;ndash; Viktor Paskov (1987)&lt;br&gt;
Black Box &amp;ndash; Amos Oz (1987)&lt;br&gt;
Beloved &amp;ndash; Toni Morrison (1987)&lt;br&gt;
The Taebek Mountains &amp;ndash; Jo Jung-rae (1987)&lt;br&gt;
Enigma Of Arrival &amp;ndash; V S Naipaul (1987)&lt;br&gt;
World&amp;rsquo;s End &amp;ndash; T Coraghessan Boyle (1987)&lt;br&gt;
The New York Trilogy &amp;ndash; Paul Auster (1987)&lt;br&gt;
The Bonfire Of The Vanities &amp;ndash; Tom Wolfe (1987)&lt;br&gt;
Cigarettes &amp;ndash; Harry Mathews (1987)&lt;br&gt;
The Child In Time &amp;ndash; Ian McEwan (1987)&lt;br&gt;
The Pigeon &amp;ndash; Patrick Suskind (1987)&lt;br&gt;
The Passion &amp;ndash; Jeannette Winterson (1987)&lt;br&gt;
The Black Dahalia &amp;ndash; James Ellroy (1987)&lt;br&gt;
The Afternoon Of A Writer &amp;ndash; Peter Handke (1987)&lt;br&gt;
The Radiant Way &amp;ndash; Margaret Drabble (1987)&lt;br&gt;
Dirk Gently&amp;rsquo;s Holistic Detective Agency &amp;ndash; Douglas Adams (1987)&lt;br&gt;
Paradise Of The Blind &amp;ndash; Ford Madox Ford (1988)&lt;br&gt;
The Last World &amp;ndash; Christoph Ransmayr (1988)&lt;br&gt;
The First Garden &amp;ndash; Anne Hebert (1988)&lt;br&gt;
The Shadow Lines &amp;ndash; Amitav Ghosh (1988)&lt;br&gt;
The Long Dark Teatime Of The Soul &amp;ndash; Douglas Adams (1988)&lt;br&gt;
Nervous Conditions &amp;ndash; Tsitsi Dangarembga (1988)&lt;br&gt;
The Player Of Games &amp;ndash; Iain Banks (1988)&lt;br&gt;
Libra &amp;ndash; Don DeLillo (1988)&lt;br&gt;
Oscar And Lucinda &amp;ndash; Peter Carey (1988)&lt;br&gt;
The Swimming-Pool Library &amp;ndash; Alan Hollinghurst (1988)&lt;br&gt;
The Satanic Verses &amp;ndash; Salman Rushdie (1988)&lt;br&gt;
Wittgenstein&amp;rsquo;s Mistress &amp;ndash; David Markson (1988)&lt;br&gt;
The Beautiful Room Is Empty &amp;ndash; Edmund White (1988)&lt;br&gt;
Foucault&amp;rsquo;s Pendulum &amp;ndash; Umberto Eco (1988)&lt;br&gt;
&lt;strong&gt;Cat&amp;rsquo;s Eye &amp;ndash; Margaret Atwood (1988)&lt;/strong&gt;&lt;br&gt;
All Souls &amp;ndash; Javier Marias (1989)&lt;br&gt;
Inland &amp;ndash; Gerald Murnane (1989)&lt;br&gt;
Obabakoak &amp;ndash; Bernardo Atxaga (1989)&lt;br&gt;
Gimmick! &amp;ndash; Joost Zwagerman (1989)&lt;br&gt;
The Great Indian Novel &amp;ndash; Shashi Tharoor (1990)&lt;br&gt;
The Book of Evidence &amp;ndash; John Banville (1989)&lt;br&gt;
London Fields &amp;ndash; Martin Amis (1989)&lt;br&gt;
A Prayer For Owen Meany &amp;ndash; John Irving (1989)&lt;br&gt;
Like Water For Chocolate &amp;ndash; Laura Esquivel (1989)&lt;br&gt;
The History Of The Siege Of Lisbon &amp;ndash; Jose Saramago (1989)&lt;br&gt;
The Trick Is To Keep Breathing &amp;ndash; Janice Galloway (1989)&lt;br&gt;
The Temple Of My Familiar &amp;ndash; Alice Walker (1989)&lt;br&gt;
The Melancholy Of Resistance &amp;ndash; Laszlo Krasznahorkai (1989)&lt;br&gt;
&lt;strong&gt;Remains Of The Day &amp;ndash; Kazuo Ishiguro (1989)&lt;/strong&gt;&lt;br&gt;
Billy Bathgate &amp;ndash; E L Doctorow (1989)&lt;br&gt;
Moon Palace &amp;ndash; Paul Auster (1989)&lt;br&gt;
Sexing The Cherry &amp;ndash; Jeannette Winterson (1989)&lt;br&gt;
A Disaffection &amp;ndash; James Kelman (1989)&lt;br&gt;
The Daughter &amp;ndash; Pavlos Matesis (1990)&lt;br&gt;
The Midnight Examiner &amp;ndash; William Kotzwinkle (1990)&lt;br&gt;
&lt;strong&gt;The Buddha Of Suburbia &amp;ndash; Hanif Kureishi (1990)&lt;/strong&gt;&lt;br&gt;
Possession &amp;ndash; A S Byatt (1990)&lt;br&gt;
Get Like Life &amp;ndash; Lorrie Moore (1990)&lt;br&gt;
A Home At The End Of The World &amp;ndash; Michael Cunningham (1990)&lt;br&gt;
The Things They Carried &amp;ndash; Tim O&amp;rsquo;Brien (1990)&lt;br&gt;
The Music Of Chance &amp;ndash; Paul Auster (1990)&lt;br&gt;
Stone Junction &amp;ndash; Jim Dodge (1990)&lt;br&gt;
Vertigo &amp;ndash; W G Sebald (1990)&lt;br&gt;
Vineland &amp;ndash; Thomas Pynchon (1990)&lt;br&gt;
Amongst Women &amp;ndash; John McGahern (1990)&lt;br&gt;
Shorty &amp;ndash; Elmore Leonard (1990)&lt;br&gt;
The Laws &amp;ndash; Connie Palmen (1991)&lt;br&gt;
Faceless Killers &amp;ndash; Henning Mankell (1991)&lt;br&gt;
Astradeni &amp;ndash; Eugenia Fakinou (1991)&lt;br&gt;
Wise Children &amp;ndash; Angela Carter (1991)&lt;br&gt;
Senor Vivo And The Coca Lord &amp;ndash; Louis De Bernieres (1991)&lt;br&gt;
Downriver &amp;ndash; Iain Sinclair (1991)&lt;br&gt;
Regeneration &amp;ndash; Pat Barker (1991)&lt;br&gt;
Typical &amp;ndash; Padgett Powell (1991)&lt;br&gt;
Mao II &amp;ndash; Don DeLillo (1991)&lt;br&gt;
Time&amp;rsquo;s Arrow &amp;ndash; Martin Amis (1991)&lt;br&gt;
American Psycho &amp;ndash; Bret Easton Ellis (1991)&lt;br&gt;
Wild Swans &amp;ndash; Jung Chang (1991)&lt;br&gt;
Before Night Falls &amp;ndash; Reinaldo Arenas (1992)&lt;br&gt;
Uncle Petros And Goldbach&amp;rsquo;s Conjecture &amp;ndash; Apostolos Doxiadis (1992)&lt;br&gt;
Memoirs Of Rain &amp;ndash; Sunetra Gupta (1992)&lt;br&gt;
The Triple Mirror Of The Self &amp;ndash; Zulfikar Ghose (1992)&lt;br&gt;
The Club Dumas &amp;ndash; Arturo Perez-Reverte (1992)&lt;br&gt;
All The Pretty Horses &amp;ndash; Cormac McCarthy (1992)&lt;br&gt;
Arcadia &amp;ndash; Jim Crace (1992)&lt;br&gt;
Hideous Kinky &amp;ndash; Esther Freud (1992)&lt;br&gt;
Black Dogs &amp;ndash; Ian McEwan (1992)&lt;br&gt;
Asphodel &amp;ndash; H D (Hilda Doolittle) (1992)&lt;br&gt;
The Heather Blazing &amp;ndash; Colm Toibin (1992)&lt;br&gt;
Black Water &amp;ndash; Joyce Carol Oates (1992)&lt;br&gt;
The Butcher Boy &amp;ndash; Patrick McCabe (1992)&lt;br&gt;
Miss Smilla&amp;rsquo;s Sense Of Snow &amp;ndash; Peter Hoeg (1992)&lt;br&gt;
The English Patient &amp;ndash; Michael Ondaatje (1992)&lt;br&gt;
Jazz &amp;ndash; Toni Morrison (1992)&lt;br&gt;
Written On The Body &amp;ndash; Jeannette Winterson (1992)&lt;br&gt;
The Crow Road &amp;ndash; Iain Banks (1992)&lt;br&gt;
Indigo &amp;ndash; Marina Warner (1992)&lt;br&gt;
Possessing The Secret Of Joy &amp;ndash; Alice Walker (1992)&lt;br&gt;
A Heart So White &amp;ndash; Javier Marias (1992)&lt;br&gt;
The Discovery Of Heaven &amp;ndash; Harry Mulisch (1992)&lt;br&gt;
Life Is A Caravanserai &amp;ndash; Emine Ozdamar (1992)&lt;br&gt;
The Secret History &amp;ndash; Donna Tartt (1992)&lt;br&gt;
The Emigrants &amp;ndash; W G Sebald (1992)&lt;br&gt;
The Adventures And Misadventures Of Maqroll &amp;ndash; Alvaro Mutis (1993)&lt;br&gt;
Deep River &amp;ndash; Shusaku Endo (1993)&lt;br&gt;
The Twins &amp;ndash; Tessa de Loo (1993)&lt;br&gt;
Remembering Babylon &amp;ndash; David Malouf (1993)&lt;br&gt;
Waiting For The Dark, Waiting For The Light &amp;ndash; Ivan Klima (1993)&lt;br&gt;
The Holder Of The World &amp;ndash; Bharati Mukherjee (1993)&lt;br&gt;
&lt;strong&gt;The Robber Bride &amp;ndash; Margaret Atwood (1993)&lt;/strong&gt;&lt;br&gt;
The House Of Doctor Dee &amp;ndash; Peter Ackroyd (1993)&lt;br&gt;
The Virgin Suicides &amp;ndash; Jeffrey Eugenides (1993)&lt;br&gt;
The Stone Diaries &amp;ndash; Carol Shields (1993)&lt;br&gt;
A Suitable Boy &amp;ndash; Vikram Seth (1993)&lt;br&gt;
What A Carve Up! &amp;ndash; Jonathan Coe (1993)&lt;br&gt;
On Love &amp;ndash; Alain de Botton (1993)&lt;br&gt;
Complicity &amp;ndash; Iain Banks (1993)&lt;br&gt;
Operation Shylock &amp;ndash; Philip Roth (1993)&lt;br&gt;
Looking For The Possible Dance &amp;ndash; A L Kennedy (1993)&lt;br&gt;
Birdsong &amp;ndash; Sebastian Faulks (1993)&lt;br&gt;
Trainspotting &amp;ndash; Irvine Welsh (1993)&lt;br&gt;
The Shipping News &amp;ndash; E Annie Proulx (1993)&lt;br&gt;
The Invention Of The Curried Sausage &amp;ndash; Uwe Timm (1993)&lt;br&gt;
Disappearance &amp;ndash; David Dabydeen (1993)&lt;br&gt;
Our Lady Of The Assassins &amp;ndash; Fernando Vallejo (1994)&lt;br&gt;
Felicia&amp;rsquo;s Journey &amp;ndash; William Trevor (1994)&lt;br&gt;
Captain Corelli&amp;rsquo;s Mandolin &amp;ndash; Louis De Bernieres (1994)&lt;br&gt;
How Late It Was, How Late &amp;ndash; James Kelman (1994)&lt;br&gt;
City Sister Silver &amp;ndash; Jachym Topol (1994)&lt;br&gt;
Pereira Declares: A Testimony &amp;ndash; Antonio Tabucchi (1994)&lt;br&gt;
The Wind-Up Bird Chronicle &amp;ndash; Haruki Murakami (1994)&lt;br&gt;
The Master Of Petersburg &amp;ndash; J M Coetzee (1994)&lt;br&gt;
Land &amp;ndash; Park Kyong-ni (1994)&lt;br&gt;
Whatever &amp;ndash; Michel Houellebecq (1994)&lt;br&gt;
The Folding Star &amp;ndash; Alan Hollinghurst (1994)&lt;br&gt;
Mr Vertigo &amp;ndash; Paul Auster (REMOVED FROM 2ND EDITION)&lt;br&gt;
Santa Evita &amp;ndash; Tomas Eloy Martinez (1995)&lt;br&gt;
Troubling Love &amp;ndash; Elena Ferrante (1995)&lt;br&gt;
Late-Night News &amp;ndash; Petros Markaris (1995)&lt;br&gt;
The End Of The Story &amp;ndash; Lydia Davis (1995)&lt;br&gt;
Love&amp;rsquo;s Work &amp;ndash; Gillian Rose (1995)&lt;br&gt;
A Fine Balance &amp;ndash; Rohinton Mistry (1995)&lt;br&gt;
The Reader &amp;ndash; Bernhard Schlink (1995)&lt;br&gt;
The Rings Of Saturn &amp;ndash; W G Sebald (1995)&lt;br&gt;
Sabbath&amp;rsquo;s Theatre &amp;ndash; Philip Roth (1995)&lt;br&gt;
The Moor&amp;rsquo;s Last Sigh &amp;ndash; Salman Rushdie (1995)&lt;br&gt;
The Information &amp;ndash; Martin Amis (1995)&lt;br&gt;
Morvern Callar &amp;ndash; Alan Warner (1995)&lt;br&gt;
The Unconsoled &amp;ndash; Kazuo Ishiguro (1995)&lt;br&gt;
Democracy &amp;ndash; Joan Didion (1996)&lt;br&gt;
A Light Comedy &amp;ndash; Eduardo Mendoza Ceballos (1996)&lt;br&gt;
Fall On Your Knees &amp;ndash; Ann-Marie MacDonald (1996)&lt;br&gt;
Alias Grace &amp;ndash; Margaret Atwood (1996)&lt;br&gt;
The Clay Machine Gun &amp;ndash; Victor Pelevin (1996)&lt;br&gt;
Infinite Jest &amp;ndash; David Foster Wallace (1996)&lt;br&gt;
Forever A Stranger &amp;ndash; Hella Haasse (1996)&lt;br&gt;
The Ghost Road &amp;ndash; Pat Barker (1996)&lt;br&gt;
Fugitive Pieces &amp;ndash; Anne Michaels (1996)&lt;br&gt;
Hallucinating Foucault &amp;ndash; Patricia Duncker (1996)&lt;br&gt;
Silk &amp;ndash; Alessandro Baricco (1996)&lt;br&gt;
Money To Burn &amp;ndash; Ricardo Piglia (1997)&lt;br&gt;
Margot And The Angels &amp;ndash; Kristien Hemmerechts (1997)&lt;br&gt;
The Untouchable &amp;ndash; John Banville (1997)&lt;br&gt;
American Pastoral &amp;ndash; Philip Roth (1997)&lt;br&gt;
The Life Of Insects &amp;ndash; Victor Pelevin (1997)&lt;br&gt;
Jack Maggs &amp;ndash; Peter Carey (1997)&lt;br&gt;
Underworld &amp;ndash; Don DeLillo (1997)&lt;br&gt;
Enduring Love &amp;ndash; Ian McEwan (1997)&lt;br&gt;
Great Apes &amp;ndash; Will Self (1997)&lt;br&gt;
&lt;strong&gt;Memoirs Of A Geisha &amp;ndash; Arthur Golden (1997)&lt;/strong&gt;&lt;br&gt;
&lt;strong&gt;The God Of Small Things &amp;ndash; Arundhati Roy (1997)&lt;/strong&gt;&lt;br&gt;
Mason &amp;amp; Dixon &amp;ndash; Thomas Pynchon (1997)&lt;br&gt;
Crossfire &amp;ndash; Miyuki Miyabe (1998)e&lt;br&gt;
The Heretic &amp;ndash; Miguel Delibes (1998)&lt;br&gt;
The Savage Detectives &amp;ndash; Roberto Bolano (1998)&lt;br&gt;
Dirty Havana Trilogy &amp;ndash; Pedro Juan Gutierrez (1998)&lt;br&gt;
&lt;strong&gt;Veronika Decides To Die &amp;ndash; Paulo Coelho (1998)&lt;/strong&gt;&lt;br&gt;
The Hours &amp;ndash; Michael Cunningham (1998)&lt;br&gt;
Another World &amp;ndash; Pat Barker (1998)&lt;br&gt;
Glamorama &amp;ndash; Bret Easton Ellis (1998)&lt;br&gt;
The Poisonwood Bible &amp;ndash; Barbara Kingsolver (1998)&lt;br&gt;
Tipping The Velvet &amp;ndash; Sarah Waters (1998)&lt;br&gt;
The Talk Of The Town &amp;ndash; Ardal O&amp;rsquo;Hanlon (1998)&lt;br&gt;
All Souls Day &amp;ndash; Cees Nooteboom (1998)&lt;br&gt;
Cloudsplitter &amp;ndash; Russell Banks (1998)&lt;br&gt;
Amsterdam &amp;ndash; Ian McEwan (1998)&lt;br&gt;
Intimacy &amp;ndash; Hanif Kureishi (1998)&lt;br&gt;
Elementary Particles &amp;ndash; Michel Houellebecq (1998)&lt;br&gt;
Pavel&amp;rsquo;s Letters &amp;ndash; Monika Maron (1999)&lt;br&gt;
The Museum Of Unconditional Surrender &amp;ndash; Dubravka Ugresic (1999)&lt;br&gt;
In Search Of Klingsor &amp;ndash; Jorge Volpi (1999)&lt;br&gt;
Sputnik Sweetheart &amp;ndash; Haruki Murakami (1999)&lt;br&gt;
Disgrace &amp;ndash; J M Coetzee (1999)&lt;br&gt;
The Ground Beneath Her Feet &amp;ndash; Salman Rushdie (1999)&lt;br&gt;
&lt;strong&gt;Fear And Trembling &amp;ndash; Amelie Nothomb (1999)&lt;/strong&gt;&lt;br&gt;
Everything You Need &amp;ndash; A L Kennedy (1999)&lt;br&gt;
As If I Am Not There &amp;ndash; Slavenka Drakulic (1999)&lt;br&gt;
Cryptonomicon &amp;ndash; Neal Stephenson (1999)&lt;br&gt;
The Romantics &amp;ndash; Pankaj Mishra (1999)&lt;br&gt;
Timbuktu &amp;ndash; Paul Auster (1999)&lt;/p&gt;
&lt;p&gt;2000s&lt;/p&gt;
&lt;p&gt;Bartleby And Co &amp;ndash; Enrique Vila-Matas (2000)&lt;br&gt;
Pastoralia &amp;ndash; George Saunders (2000)&lt;br&gt;
Blonde &amp;ndash; Joyce Carol Oates (2000)&lt;br&gt;
House Of Leaves &amp;ndash; Mark Z Danielewski (2000)&lt;br&gt;
Super-Cannes &amp;ndash; J G Ballard (2000)&lt;br&gt;
Small Remedies &amp;ndash; Shashi Deshpande (2000)&lt;br&gt;
After The Quake &amp;ndash; Haruki Murakami (2000)&lt;br&gt;
&lt;strong&gt;The Blind Assassin &amp;ndash; Margaret Atwood (2000)&lt;/strong&gt;&lt;br&gt;
The Human Stain &amp;ndash; Philip Roth (2000)&lt;br&gt;
How The Dead Live &amp;ndash; Will Self (2000)&lt;br&gt;
City Of God &amp;ndash; E L Doctorow (2000)&lt;br&gt;
Celestial Harmonies &amp;ndash; Peter Esterhazy (2000)&lt;br&gt;
Nineteen Seventy Seven &amp;ndash; David Peace (2000)&lt;br&gt;
Ignorance &amp;ndash; Milan Kundera (2000)&lt;br&gt;
Under The Skin &amp;ndash; Michel Faber (2000)&lt;br&gt;
The Heart Of Redness &amp;ndash; Zakes Mda (2000)&lt;br&gt;
&lt;strong&gt;White Teeth &amp;ndash; Zadie Smith (2000)&lt;/strong&gt;&lt;br&gt;
Spring Flowers, Spring Frost &amp;ndash; Ismail Kadare (2000)&lt;br&gt;
The Devil And Miss Prym &amp;ndash; Paulo Coelho (2000)&lt;br&gt;
An Obedient Father &amp;ndash; Akhil Sharma (2000)&lt;br&gt;
The Feast Of The Goat &amp;ndash; Mario Vargos Llosa (2000)&lt;br&gt;
Soldiers Of Salamina &amp;ndash; Javier Cercas (2001)&lt;br&gt;
I&amp;rsquo;m Not Scared &amp;ndash; Niccolo Ammaniti (2001)&lt;br&gt;
&lt;strong&gt;Life of Pi &amp;ndash; Yann Martel (2001)&lt;/strong&gt;&lt;br&gt;
Choke &amp;ndash; Chuck Palahniuk (2001)&lt;br&gt;
At Swim, Two Boys &amp;ndash; Jamie O&amp;rsquo;Neill (2001)&lt;br&gt;
Fury &amp;ndash; Salman Rushdie (2001)&lt;br&gt;
The Body Artist &amp;ndash; Don DeLillo (2001)&lt;br&gt;
Don&amp;rsquo;t Move &amp;ndash; Margaret Mazzantini (2001)&lt;br&gt;
The Corrections &amp;ndash; Jonathan Franzen (2001)&lt;br&gt;
Atonement &amp;ndash; Ian McEwan (2001)&lt;br&gt;
Schooling &amp;ndash; Heather McGowan (2001)&lt;br&gt;
Platform &amp;ndash; Michel Houellebecq (2001)&lt;br&gt;
Austerlitz &amp;ndash; W G Sebald (2001)&lt;br&gt;
Gabriel&amp;rsquo;s Gift &amp;ndash; Hanif Kureishi (2001)&lt;br&gt;
Snow &amp;ndash; Orhan Pamuk (2002)&lt;br&gt;
Your Face Tomorrow &amp;ndash; Javier Marias (2002)&lt;br&gt;
The Book Of Illusions &amp;ndash; Paul Auster (2002)&lt;br&gt;
Nowhere Man &amp;ndash; Aleksandar Hemon (2002)&lt;br&gt;
Dead Air &amp;ndash; Iain Banks (2002)&lt;br&gt;
Youth &amp;ndash; J M Coetzee (2002)&lt;br&gt;
Middlesex &amp;ndash; Jeffrey Eugenides (2002)&lt;br&gt;
Shroud &amp;ndash; John Banville (2002)&lt;br&gt;
In The Forest &amp;ndash; Edna O&amp;rsquo;Brien (2002)&lt;br&gt;
That They May Face The Rising Sun &amp;ndash; John McGahern (2002)&lt;br&gt;
The Story Of Lucy Gault &amp;ndash; William Trevor (2002)&lt;br&gt;
Kafka On The Shore &amp;ndash; Haruki Murakami (2002)&lt;br&gt;
Unless &amp;ndash; Carol Shields (2002)&lt;br&gt;
Everything Is Illuminated &amp;ndash; Jonathan Safran Foer (2002)&lt;br&gt;
The Double &amp;ndash; Jose Saramago (2002)&lt;br&gt;
Fingersmith &amp;ndash; Sarah Waters (2002)&lt;br&gt;
Family Matters &amp;ndash; Rohinton Mistry (2002)&lt;br&gt;
London Orbital &amp;ndash; Iain Sinclair (2002)&lt;br&gt;
The Successor &amp;ndash; Ismail Kadare (2003)&lt;br&gt;
La Dama Numero Trece &amp;ndash; Jose Carlos Somoza (2003)&lt;br&gt;
&lt;strong&gt;A Tale Of Love And Darkness &amp;ndash; Amos Oz (2003)&lt;/strong&gt;&lt;br&gt;
The Namesake &amp;ndash; Jhumpa Lahiri (2003)&lt;br&gt;
Vernon God Little &amp;ndash; D B C Pierre (2003)&lt;br&gt;
Elizabeth Costello &amp;ndash; J M Coetzee (2003)&lt;br&gt;
Islands &amp;ndash; Dan Sleigh (2003)&lt;br&gt;
The Curious Incident Of The Dog In The Night Time &amp;ndash; Mark Haddon (2003)&lt;br&gt;
What I Loved &amp;ndash; Siri Hustvedt (2003)&lt;br&gt;
The Light Of Day &amp;ndash; Graham Swift (2003)&lt;br&gt;
Thursbitch &amp;ndash; Alan Garner (2003)&lt;br&gt;
The Colour &amp;ndash; Rose Tremain (2003)&lt;br&gt;
Drop City &amp;ndash; T Coraghessan Boyle (2004)&lt;br&gt;
Cloud Atlas &amp;ndash; David Mitchell (2004)&lt;br&gt;
Dining On Stones &amp;ndash; Iain Sinclair (2004)&lt;br&gt;
The Lambs Of London &amp;ndash; Peter Ackroyd (2004)&lt;br&gt;
Vanishing Point &amp;ndash; David Markson (2004)&lt;br&gt;
The Master &amp;ndash; Colm Toibin (2004)&lt;br&gt;
The Plot Against America &amp;ndash; Philip Roth (2004)&lt;br&gt;
The Red Queen &amp;ndash; Margaret Drabble (2004)&lt;br&gt;
Kavalier And Clay &amp;ndash; Michael Chabon (2004)&lt;br&gt;
The Line Of Beauty &amp;ndash; Alan Hollinghurst (2004)&lt;br&gt;
The Book About Blanche And Marie &amp;ndash; Per Olov Enquist (2004)&lt;br&gt;
The Swarm &amp;ndash; Frank Schatzing (2004)&lt;br&gt;
Small Island &amp;ndash; Andrea Levy (2004)&lt;br&gt;
2666 &amp;ndash; Roberto Bolano (2004)&lt;br&gt;
Suite Francaise &amp;ndash; Irene Nemirovsky (2004)&lt;br&gt;
The Sea &amp;ndash; John Banville (2005)&lt;br&gt;
Adjunct: An Undigest &amp;ndash; Peter Manson (2005)&lt;br&gt;
Slow Man &amp;ndash; J M Coetzee (2005)&lt;br&gt;
On Beauty &amp;ndash; Zadie Smith (2005)&lt;br&gt;
Saturday &amp;ndash; Ian McEwan (2005)&lt;br&gt;
Never Let Me Go &amp;ndash; Kazuo Ishiguro (2005)&lt;br&gt;
&lt;strong&gt;A Short History Of Tractors In Ukrainian &amp;ndash; Marina Lewycka (2005)&lt;/strong&gt;&lt;br&gt;
Measuring The World &amp;ndash; Daniel Kehlmann (2005)&lt;br&gt;
The Accidental &amp;ndash; Ali Smith (2005)&lt;br&gt;
History of Love &amp;ndash; Nicole Krauss (2005)&lt;br&gt;
Mother&amp;rsquo;s Milk &amp;ndash; Edward St Aubyn (2006)&lt;br&gt;
Against The Day &amp;ndash; Thomas Pynchon (2006)&lt;br&gt;
The Reluctant Fundamentalist &amp;ndash; Mohsin Hamid (2006)&lt;br&gt;
The Inheritance Of Loss &amp;ndash; Kiran Desai (2006)&lt;br&gt;
The Kindly Ones &amp;ndash; Jonathan Littell (2006)&lt;br&gt;
Carry Me Down &amp;ndash; M J Hyland (2006)&lt;br&gt;
Animal&amp;rsquo;s People &amp;ndash; Indra Sinha (2007)&lt;br&gt;
Falling Man &amp;ndash; Don DeLillo (2007)&lt;br&gt;
Half Of A Yellow Sun &amp;ndash; Chimamanda Ngozi Adichie (2007)&lt;br&gt;
The Brief Wondrous Life Of Oscar Wao &amp;ndash; Junot Diaz (2007)&lt;br&gt;
The Gathering &amp;ndash; Anne Enright (2007)&lt;br&gt;
The Elegance Of The Hedgehog &amp;ndash; Muriel Barbery (2008)&lt;br&gt;
Cost: A Novel &amp;ndash; Roxana Robinson (2008)&lt;br&gt;
The White Tiger &amp;ndash; Aravind Adiga (2008)&lt;br&gt;
Home &amp;ndash; Marilynne Robinson (2008)&lt;br&gt;
Kieron Smith, Boy &amp;ndash; James Kelman (2008)&lt;br&gt;
The Children&amp;rsquo;s Book &amp;ndash; A S Byatt (2009)&lt;br&gt;
Invisible &amp;ndash; Paul Auster (2009)&lt;br&gt;
American Rust &amp;ndash; Philipp Meyer (2009)&lt;br&gt;
The Blind Side Of The Heart &amp;ndash; Julia Franck (2009)&lt;br&gt;
Cain &amp;ndash; Jose Saramago (2009)&lt;br&gt;
A Gate at the Stairs &amp;ndash; Lorrie Moore (2009)&lt;br&gt;
1Q84 &amp;ndash; Haruki Murakami (2010)&lt;br&gt;
Nemesis &amp;ndash; Philip Roth (2010)&lt;br&gt;
Freedom &amp;ndash; Jonathan Franzen (2010)&lt;br&gt;
A Visit from the Goon Squad &amp;ndash; Jennifer Egan (2010)&lt;br&gt;
The Sense of an Ending &amp;ndash; Julian Barnes (2011)&lt;br&gt;
The Marriage Plot &amp;ndash; Jeffrey Eugenides (2011)&lt;br&gt;
There but for the &amp;ndash; Ali Smith (2011)&lt;br&gt;
Art of Fielding &amp;ndash; Chad Harbach (2011)&lt;/p&gt;
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