The following paragraphs were written with programmers in mind, but they’re absolutely true for me concerning writing, translating, blogging and everything else, as well. (source) Here’s the trouble. We all know that knowledge workers work best by getting into „flow”, also known as being „in the zone”, where they are fully concentrated on their work and fully tuned out of their environment. They lose track of time and produce great stuff through absolute concentration.
Swear words do this amazing thing in language, that no other category of words does quite as well, or with as much versatility. I’m not referring to insults here (although that’s supposedly their main function), but to the fact that they intensify the meaning. If something is awesome, then it’s awesome. If something blew your mind and made you feel very enthusiastic about it, it’s fucking awesome. If you’re awed and a bit shocked, then it’s bloody awesome.
I’ve finished recording the audio version of the first episode of Flight from Hell and I’ve sent it off to the Big World Network. Meanwhile, I’m writing episode four, which turned a bit surreal on me. Novels do that, I think. Surprise you. You think you have stuff figured out and then there’s this extra bit of richness or of fun lying about, ripe for the writing. Flight from Hell is the sort of thing you don’t plan on writing.
Ellipses are exactly like kisses of courtesy. Not because they’re a way to bond with someone else and to be polite and friendly, but because they differ from place to place and the wrong way of doing things can cause you endless trouble. As far as kisses are concerned, you courtesy-kiss even not-very-close acquaintances on the lips in South Africa (on special occasions, at least; so one of my professors in uni has told us – a peck on the lips).
Gabriel Garcia Marquez has an amazing style, no? So beautiful, so flowing, so thoughtful and clear and enchanting, making you dream of magic and wish to live in another, more beautiful country. And it’s all done through words. All the magic there is in G.G. Marquez is visible in every single book that he wrote. I could talk about his plots, his world, his whatever – but I actually want to talk about a single aspect of his writing: sentence structure.
Dear Humanities Peers, This Is iRrAtionaL A year ago, when I was a Master’s student, I complained to a clever friend (also a web developer) about one of the texts I had to read for university. I told him it was horrible to read, that I could barely understand what the author wanted and I wasn’t entirely sure I got the point. „Why didn’t the author draw a picture?” he asked me.